Our Heroes: Memories of That Time Pokémon
Year: 2022
Material/Technique: Canvas, Mixed Media, Collage, Plastic, Object
Size: 40 × 40 × 7 cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
USD 285
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.



About the Work
- Year
- 2022
- Material/Technique
- Canvas, Mixed Media, Collage, Plastic, Object
- Size
- 40 × 40 × 7 cm
- Edition
- Unique
- Signed
- Not Set
- Credits
- (C) OGURA YOSHIKO2023
- Frame
- Not Included
- Work Certificate
- Not Included
- Distributor of artworks
- Yoyo-YOSHI
- Ship-from Area
- Not Set
- Days Until Dispatch
- About a Week
- Category
- Mixed Media
- Style
- Everyday, Pop Art, Abstract, Conceptual
Work Details
Our Heroes: Memories of That Time Pokémon
As time goes by, even the shape of a character I loved becomes vague.
But those memories definitely shaped who I am now.
The way I climbed the ladder. A work where I painted over more and more of what I had in mind
A firm presence in vague memories
acrylic and pvc doll on canvas
35 hours
Produced in our studio in Kamakura, Japan
The colors are just fun. Works to recover forgotten memories
View in a Room
How to Buy
This artwork is available for purchase.
USD 285
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.
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アニミズムという日本人が持っている感覚を伝えていきたいと制作しています。
できるだけ多くの場所で作品を発表し、絵に関心のある皆様と交流できたらと願っています。
ご支援よろしくお願いいたします!