Birdman's Day 1 begins
Year: 2023
Material/Technique: Panel, Acrylic, Mixed Media
Size: 21 × 21 × 1.5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 221
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2023
- Material/Technique
- Panel, Acrylic, Mixed Media
- Size
- 21 × 21 × 1.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Not Set
- Distributor of artworks
- Yoyo-YOSHI
- Ship-from Area
- Kanagawa Prefecture
- Days Until Dispatch
- 4-7 Days
- Category
- Painting
- Style
- Half Abstraction, Pop Art
Work Details
This is recycled art using vintage clothing patterns.
The motifs drawn in the geometric design suppress the color without breaking the pattern design
It is a mysterious piece that fits in any room.
What I was particular about was the rhythm of curves in a straight mechanical line.
This means that birds on the face can change to anything.
Hard-to-find vintage clothing patterns match your room
It has a sturdy hook so you can easily hang it on the wall
The back side is protected by wrapping paper on top of it with shoji paper. Since mold does not grow due to moisture, a preventative spray is also sprayed at the same time.
Are you really showing your true self?
Use vintage pattern paper, acrylic paint and container on a round wooden board
50 hours
Atelier in Kamakura, Japan
This is recycled art using vintage clothing patterns.
The motifs drawn in the geometric design suppress the color without breaking the pattern design
It is a mysterious piece that fits in any room.
View in a Room
How to Buy
This artwork is available for purchase.
USD 221
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.
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海外の方も気軽に入れるアート施設を地元に作りたいです。
アートをもっと身近に感じられる施設を増やせたら、と願っています。