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contemporary artist
本作は、平面と立体の中間、レリーフ作品です。均衡そのものではなく、均衡を成立させる力の関係を可視化する試みとして制作しました。ぜひ細部までごらんください。
Tomo Sakurai
contemporary artist
My practice explores dynamic equilibrium by viewing all phenomena as a continuum rather than fixed opposites. At its core is the Three Visual Principles: Black & White, Color, and Ma, representing opposition, transition, and the space where differences coexist.
Using paint, ink, resin, metal, earth, wax, glass, and mineral pigments, I work with melting, oxidation, heat, and deposition. I observe how materials transform and interact over time, allowing their behavior to shape the work.
These processes give rise to Awai, a space where differences remain distinct while existing together. Within Awai, equilibrium appears as a temporary state in which no element fully dominates another. It is not static balance, but a dynamic condition sustained through change, tension, and fluctuation.
My works preserve these transient relationships as material fragments of Awai and dynamic equilibrium.
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Profile
Biography
Born in Nagano, graduated from Yokohama University of Art and Design. Currently, she is a contemporary artist based in Tokyo.
A work that incorporates contrasts and multilayers through observation of materials and physical phenomena, starting from conceptual/minimal art techniques
Expand products. While reinterpreting traditional materials and techniques, they are exploring fusion with contemporary thought.
Major solo exhibitions include “Schrödinger's Curtain” (2024, Tokyo International Gallery) and “Y = (0.298912R+
There are “0.586611G+ 0.114478*B)” (2022, Amalgam Art Gallery), etc. Also, “FOCUS Art Fair 2022 in
“Paris” (Carrousel du Louvre, France), “Art Fair Tokyo 2021” (Tokyo International Forum),
Domestic and international exhibitions such as “PANORAMA” (2024, Gallery Assistant at Atelier Natália Gromicho)
Participate in Tofea.
In addition to exhibitions at the Aida Mitsuo Museum (Tokyo), the Korean Art Museum (Seoul), and the CICA Museum (Korea), shrines and temples, domestic and international
Works are stored in companies and public facilities. In recent years, through self-made pigments and material research, there have been antagonistic relationships between matter and spirit, tradition and innovation
Production on the theme of the equilibrium that occurs within is being deepened.
CV
- 2025
- Journey to Japan III (Atelier Natália Gromicho、ポルトガル)
- CICA Museum (韓国)
- 2024
- 作品奉納 (霊芝山光雲寺、京都)
- パブリックコレクション (CHARES＆KEATH渋谷)
- 2023
- 東京タワー ライブペイント (東京タワー地上150mメインデッキ)
- 漂流祝祭日(横浜市民ギャラリー、桜木町)
- 相田みつを美術館 (国際フォーラム、有楽町)
- 2022
- Y= ( 0.298912 * R + 0.586611 * G + 0.114478 * B ) (Amalgam Art Gallery 東急プラザ、渋谷)
- FOCUS Art Fair 2022 in Paris (カルーゼル・デュ・ルーヴル、パリ)
- Accumulation (Faramarz Lounge & Gallery、中目黒)
- 2021
- アートフェア東京2021 (東京国際フォーラム、有楽町)
- 2020
- artTNZ produced by AFT with APCA (TERRADA ART COMPLEX II、天王洲アイル)
- MONOCHROME2020 桜井智原画展 (Art Gallery サナギ、新宿)
- 韓国美術館 (ソウル)
