Poise
Year: 2026
Material/Technique: Others, Oil, Panel, Mixed Media, Ink, Rocky Paint, Resin, Foil
Size: 29.4 × 42 × 2 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 825
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.




About the Work
- Year
- 2026
- Material/Technique
- Others, Oil, Panel, Mixed Media, Ink, Rocky Paint, Resin, Foil
- Size
- 29.4 × 42 × 2 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Tomo Sakurai
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 特注箱を注文し、到着後2〜3日後に発送。(土日祝除く)
- Category
- Mixed Media
- Style
- Abstract
Work Details
Material:
Tin leaf, sumi ink, mineral pigments, tin powder, alkyd resin on wood panel
“静衡 (Seiko)” is a neologism in this work that indicates a way of serenity and balance.
This work captures the equilibrium of accepting opposing forces and releasing them into the margins.
How to Buy
This artwork is available for purchase.
USD 825
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
contemporary artist
My practice explores dynamic equilibrium by viewing all phenomena as a continuum rather than fixed opposites. At its core is the Three Visual Principles: Black & White, Color, and Ma, representing opposition, transition, and the space where differences coexist. Using paint, ink, resin, metal, earth, wax, glass, and mineral pigments, I work with melting, oxidation, heat, and deposition. I observe how materials transform and interact over time, allowing their behavior to shape the work. These processes give rise to Awai, a space where differences remain distinct while existing together. Within Awai, equilibrium appears as a temporary state in which no element fully dominates another. It is not static balance, but a dynamic condition sustained through change, tension, and fluctuation. My works preserve these transient relationships as material fragments of Awai and dynamic equilibrium. Born in Nagano, graduated from Yokohama University of Art and Design. Currently, she is a contemporary artist based in Tokyo. A work that incorporates contrasts and multilayers through observation of materials and physical phenomena, starting from conceptual/minimal art techniques Expand products. While reinterpreting traditional materials and techniques, they are exploring fusion with contemporary thought. Major solo exhibitions include “Schrödinger's Curtain” (2024, Tokyo International Gallery) and “Y = (0.298912R+ There are “0.586611G+ 0.114478*B)” (2022, Amalgam Art Gallery), etc. Also, “FOCUS Art Fair 2022 in “Paris” (Carrousel du Louvre, France), “Art Fair Tokyo 2021” (Tokyo International Forum), Domestic and international exhibitions such as “PANORAMA” (2024, Gallery Assistant at Atelier Natália Gromicho) Participate in Tofea. In addition to exhibitions at the Aida Mitsuo Museum (Tokyo), the Korean Art Museum (Seoul), and the CICA Museum (Korea), shrines and temples, domestic and international Works are stored in companies and public facilities. In recent years, through self-made pigments and material research, there have been antagonistic relationships between matter and spirit, tradition and innovation Production on the theme of the equilibrium that occurs within is being deepened.
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大きな作品を制作できるアトリエを借りたいので、支援いただけると幸いです。