Between Heaven and Soil — Vital Blessing & Aegis
Year: 2026
Material/Technique: Acrylic, Paper, Guazh, Print, Staining, Monoprint, Monotype
Size: 30.5 × 30.5 cm
Edition: Edition Available
Signed:Included
This artwork is available for purchase.
USD 303
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2026
- Material/Technique
- Acrylic, Paper, Guazh, Print, Staining, Monoprint, Monotype
- Size
- 30.5 × 30.5 cm
- Edition
- Edition Available
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- kanzanloc
- Ship-from Area
- Not Set
- Days Until Dispatch
- 4-7 Days
- Category
- Mixed Media
- Style
- Abstract, Conceptual, Japanese Painting / Japanese Style, Asia, Philosophy / Vanitas, Half Abstraction, Society / Politics / History
Work Details
The warm, vibrant tones correspond to the traditional Japanese color “sango-iro” (珊瑚色, coral pink). In Japanese reverence, this color embodies vital longevity, safe passage, and flourishing renewal—a celebratory grace of life. Serving as a modern-day talisman, this artwork wards off adversity, safeguard well-being, and invite sustainable abundance into its surrounding space.
The composition is constructed from three kanji characters: 天 (Heaven) at the top, 土 (Soil/Earth) at the bottom, with 美 (Beauty) connecting everything that lies between them.
This series features "Norizome" (糊染)-inspired, hand-drawn multiples on paper, bridging traditional Japanese resist-dyeing aesthetics and contemporary line work. Each piece is individually crafted using a specialized resist technique before coloring; subtle variations in line, edge, and hue make every physical work a unique original within the limited edition. Please note that individual pieces may vary slightly from the sample images.
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How to Buy
This artwork is available for purchase.
USD 303
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
Born in 1964 in the foothills of northern Kanto, Japan, in a landscape deeply rooted in Zen and mountain culture.In 1984, he moved to NYC to study at the Art Students League on a competitive scholarship, focusing on life drawing, artistic anatomy, contemporary art, art history, and philosophy under the guidance of Joseph F. Stapleton and Daniel Maloney.Returning to Japan in 1996, he dedicated himself to community-based art initiatives—curating municipal exhibitions at the request of the local government while completing museum studies coursework at Waseda University in Tokyo. Alongside these efforts, he actively expanded his international presence. In 2022, he received a certificate of appreciation from the Taiwan Art Gallery Association. His works are permanently housed in the national collection of CSLU-Prilep, the municipal collections of Pale, Jahorina, and Otawara City.At the heart of his practice are handcrafted natural materials—bark pigments derived from ancient trees in his homeland and earth pigments meticulously aged for over thirty years. Alongside these unique pieces, he is also passionately dedicated to creating accessible editioned works, carrying on the tradition of ukiyo-e artists to bring authentic art to a wider audience.
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