Scenery seen by camellia seeds

Year: 2022

Material/Technique: Mixed Media, Panel

Size: 52 × 63 × 2 cm

Edition: Unique

Signed:Included

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USD 966

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Scenery seen by camellia seeds

About the Work

Year
2022
Material/Technique
Mixed Media, Panel
Size
52 × 63 × 2 cm
Edition
Unique
Signed
Included
Frame
Negotiations
Work Certificate
Included
Distributor of artworks
FUJIWARA Fumie
Ship-from Area
Aichi Prefecture
Days Until Dispatch
4-7 Days
Category
Painting
Style
Everyday, Conceptual

Work Details

Concept and Intention of the Artwork

This work was exhibited at the 2022 Kameyama Triennale. The landscape seen from the camellia seed shell at the bottom of the work is drawn on a black paper file using that seed shell. Using what can be drawn in brown on the outside of the seed shell and a whitish color on the inside, I drew a landscape of Kameyama seen from the seed shell. It was publicly produced in Marugame City at the Setouchi Triennale in the same year.
(The camellia seeds used for drawing are also attached to the work. Since the ground is paper files, it is a work that makes it difficult to remove dust and dirt. (An acrylic case or frame is required for long-term displays)

Exhibition View
What You Want to Express Through the artwork

This is a view from the viewpoint of fallen camellia seeds. Those types are also attached to the work. Just like drawing with chalk on a blackboard, I'm drawing on black sandpaper with those seeds. Small beings have turned their bodies to dust and paint the world around them in their own colors and from their own point of view. That point of view and that moment of the surroundings are unique. Shells that have finished their role in protecting the species seem worthless. But that value standard is only for use. The value standards humans think of in the natural world are only trivial. We are part of nature, but we tend to forget that.

Production Methods and Tools

Draw with camellia seeds on sandpaper: Capture the landscape from the seed's point of view.
Based on that photograph, I draw a landscape with those seeds on black sandpaper. Similar to writing with chalk on a blackboard, it is drawn using scraped seeds and being able to write black sandpaper lines.

Production Location

Pictured location: Kameyama City, Mie Prefecture/ Production Location: Atelier and Yasuda Residence on the Honjima island of Kagawa Prefecture (Setouchi Triennale venue)

Thoughts on the Artwork and Title

All things and things shape the present. In that moment, we never met again. Moments ahead of the present is the future, and everything in the present shapes the future ahead. No entity can spill out of it.

About donations

About donations: A portion of sales from this work will be donated by the author to charitable causes.

About reselling: If you resell this work, please donate 10% of the profits to charity.

View in a Room

Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds
Scenery seen by camellia seeds

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This artwork is available for purchase.

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USD 966

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

FUJIWARA  Fumie
✔︎

2024 Center line art festival Tokyo 2024 Space Sharing Program International Open Call Exhibition (Tokyo Japan) 2022  International art competition ART OLIMPIA Exhibition of selected works Grand Prize Winner (Shizuoka Japan) 2022 ART SETOUCHI 2022 Solo Exhtbition at Honjima Yasuda House /Two-person exhibition at Marugame City Citizen Exchange Activity Center Maltas (Kagawa Japan) 2022  Kameyama Triennale2022 (Mie Japan) 2019 Taro Okamoto Contemporary Art Award of selected works Audience vote 3rd place (Taro Okamoto Museum of Art Kanagawa Japan) 2019 Aichi Triennale Related project [Emotional depth and shallowness] Gorup Exhtbition ( Yamazaki Mazak Museum of Art Aichi Japan) 2017   Kameyama Triennale2017 (Mie Japan) Born 1976 in Aichi I want to convey my way of thinking and worldview through my work. Choose the production method that best suits the subject of the work. Therefore, the drawing materials used are different for each series of works. It is not a common art material, and there are also works drawn with surprising materials, such as drawing with stones or branches on sandpaper or drawing with a matchstick. Through my work, I would like to create works that add new ways of understanding and discoveries to everyday life.

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Last updated date
02.17.2025
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