Scenery seen by something light blue
Year: 2018
Material/Technique: Mixed Media
Size: 28 × 22.7 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 183
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2018
- Material/Technique
- Mixed Media
- Size
- 28 × 22.7 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- FUJIWARA Fumie
- Ship-from Area
- Aichi Prefecture
- Days Until Dispatch
- 2-3 Days
- Category
- Painting
- Style
- Conceptual, Everyday
Work Details
framed image glass picture frame
When the blue cloth for the awning was fluttering on the beach, light blue fragments were falling. I drew a scene seen from that fragment's point of view on a paper file with that fragment. If you only look at the fragments, it's just trash. But it was impressive that a light blue color, like a mixture of the colors of the sky, sea, and cloth, fell on the sandy beach. The current frame is a watercolor frame with glass. Reframing is also possible.
(The stone used for drawing is also attached to the picture. Since the ground is paper files, it is a work that makes it difficult to remove dust and dirt. (Framing is required for long-term exhibitions)
This is a landscape seen from the viewpoint of resin fragments. Fragments of it will also be attached to the work. Like drawing with chalk on a blackboard, I'm drawing on black sandpaper with fragments of it. The sky blue shards literally dust themselves, painting the world around me in my own colors and from my point of view. That point of view and that moment of the surroundings are unique. This shard is worthless. But that value standard is only for use. We too are part of nature, but we tend to forget that.
Exhibition scenery
Exhibited at solo exhibition at Gallery Apa Main Room (Nagoya) in 2018
Draw with resin fragments on sandpaper: Capture a picture of the landscape from the viewpoint of the resin fragments.
Based on that photo, I will draw a landscape with that fragment on black sandpaper. Similar to writing with chalk on a blackboard, it is drawn using fragments that can be scraped off and black sandpaper lines can be drawn.
Depicted location: Toba City, Mie Prefecture/ Production Location: Atelier Nagoya City, Aichi Prefecture
All things and things shape the present. In that moment, we never met again. Moments ahead of the present is the future, and everything in the present shapes the future ahead. No entity can spill out of it.
About donations
About donations: A portion of sales from this work will be donated by the author to charitable causes.
About reselling: If you resell this work, please donate 10% of the profits to charity.
View in a Room
How to Buy
This artwork is available for purchase.
USD 183
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artist
2024 Center line art festival Tokyo 2024 Space Sharing Program International Open Call Exhibition (Tokyo Japan)
2022 International art competition ART OLIMPIA Exhibition of selected works Grand Prize Winner (Shizuoka Japan)
2022 ART SETOUCHI 2022 Solo Exhtbition at Honjima Yasuda House /Two-person exhibition at Marugame City Citizen Exchange Activity Center Maltas (Kagawa Japan)
2022 Kameyama Triennale2022 (Mie Japan)
2019 Taro Okamoto Contemporary Art Award of selected works Audience vote 3rd place (Taro Okamoto Museum of Art Kanagawa Japan)
2019 Aichi Triennale Related project [Emotional depth and shallowness] Gorup Exhtbition ( Yamazaki Mazak Museum of Art Aichi Japan)
2017 Kameyama Triennale2017 (Mie Japan)
Born 1976 in Aichi



















