The sky and the earth that Kurumi saw
Year: 2018
Material/Technique: Mixed Media
Size: 27 × 23 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 178
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2018
- Material/Technique
- Mixed Media
- Size
- 27 × 23 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- FUJIWARA Fumie
- Ship-from Area
- Aichi Prefecture
- Days Until Dispatch
- 2-3 Days
- Category
- Painting
- Style
- Conceptual, Everyday
Work Details
framed image glass picture frame
The landscape seen from the walnut shell at the bottom of the work is drawn on a black paper file using that shell. Where did they grow up, where did they flow from, and what was that journey like? I think there are dramas that have reached the present, no matter how trivial. A new future will be shaped by everyday relationships, even in trivial matters.
(This work is hard to remove dust and dirt because the ground is paper files. (Framing is required for long-term exhibitions)
What I wanted to express in this work
This is a view from the viewpoint of a walnut shell. That shell is also attached to the work. I'm drawing on sandpaper with that shell, just like drawing with chalk on a blackboard. The shell literally turns the flesh into powder, and I paint the world around me in my own colors and from my point of view. That point of view and that moment of the surroundings are unique. This shell seems worthless to us. But that value standard is only for use. We too are part of nature, but we tend to forget that.
Exhibition scenery
Exhibited at solo exhibition at Gallery Apa Main Room (Nagoya) in 2018
Production methods and tools used
Draw with walnut shells on sandpaper: photograph the landscape from the perspective of a walnut shell.
Based on that photo, I draw a landscape with that shell on sandpaper. Similar to writing with chalk on a blackboard, it is drawn using the shell being scraped off and lines can be drawn on sandpaper.
About the production location (atelier)
Depicted location: Toba City, Mie Prefecture/ Production Location: Atelier Nagoya City, Aichi Prefecture
Thoughts put into the work and title
All things and things shape the present. In that moment, we never met again. Moments ahead of the present is the future, and everything in the present shapes the future ahead. No entity can spill out of it.
All things and things shape the present. In that moment, we never met again. Moments ahead of the present is the future, and everything in the present shapes the future ahead. No entity can spill out of it.
About donations
View in a Room
How to Buy
This artwork is available for purchase.
USD 178
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
Need help with purchasing?Join the waiting list
Join the waiting list to be notified when artworks become available for purchase.
Start Chat
Our art concierge is here to help. Please feel free to chat with us about artwork recommendations or issues with purchasing.
Artist
artist
2024 Center line art festival Tokyo 2024 Space Sharing Program International Open Call Exhibition (Tokyo Japan)
2022 International art competition ART OLIMPIA Exhibition of selected works Grand Prize Winner (Shizuoka Japan)
2022 ART SETOUCHI 2022 Solo Exhtbition at Honjima Yasuda House /Two-person exhibition at Marugame City Citizen Exchange Activity Center Maltas (Kagawa Japan)
2022 Kameyama Triennale2022 (Mie Japan)
2019 Taro Okamoto Contemporary Art Award of selected works Audience vote 3rd place (Taro Okamoto Museum of Art Kanagawa Japan)
2019 Aichi Triennale Related project [Emotional depth and shallowness] Gorup Exhtbition ( Yamazaki Mazak Museum of Art Aichi Japan)
2017 Kameyama Triennale2017 (Mie Japan)
Born 1976 in Aichi



















