Scenery seen by pumice
Year: 2017
Material/Technique: Mixed Media
Size: 23 × 28 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2017
- Material/Technique
- Mixed Media
- Size
- 23 × 28 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- FUJIWARA Fumie
- Ship-from Area
- Aichi Prefecture
- Days Until Dispatch
- 2-3 Days
- Category
- Painting
- Style
- Conceptual, Everyday
Work Details
Framed image box-shaped picture frame with acrylic glass
(Since it is drawn on a paper file, it is a work that makes it difficult to remove dust and dirt. (For long-term exhibitions, we recommend framing or using a case)
The landscape seen from the small stone on the side of the work is drawn on a black paper file with that stone. By drawing with that stone, individuality such as the color and hardness of that stone appears in the picture. Since it was a very soft stone with large particles, it had a unique finish.
This is a view from the viewpoint of a roadside pebble. That pebble will also be attached to the work. I'm drawing on black sandpaper with those pebbles, just like drawing with chalk on a blackboard. The pebbles on the side of the road literally turn my body into powder, painting the world around me in my own colors and from my point of view. That point of view and that moment of the surroundings are unique. “Roadside stones” are synonymous with “worthless things.” But that value standard is only for use. We are part of nature, but we tend to forget that.
Exhibition scenery
Exhibited at the 2017 Art Salon Kinkodo Solo Exhibition (Nagoya City)
Draw with stones on sandpaper: photograph the landscape from the perspective of roadside pebbles.
Based on that photo, I will draw a landscape with that stone on black sandpaper. Similar to writing with chalk on a blackboard, it is drawn using a stone that can be scraped and black sandpaper lines can be drawn.
Depicted location: Toba City, Mie Prefecture/ Production Location: Atelier Nagoya City, Aichi Prefecture
All things and things shape the present. In that moment, we never met again. Moments ahead of the present is the future, and everything in the present shapes the future ahead. No entity can spill out of it.
About donations
About donations: A portion of sales from this work will be donated by the author to charitable causes.
About reselling: If you resell this work, please donate 10% of the profits to charity.
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How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artist
2024 Center line art festival Tokyo 2024 Space Sharing Program International Open Call Exhibition (Tokyo Japan)
2022 International art competition ART OLIMPIA Exhibition of selected works Grand Prize Winner (Shizuoka Japan)
2022 ART SETOUCHI 2022 Solo Exhtbition at Honjima Yasuda House /Two-person exhibition at Marugame City Citizen Exchange Activity Center Maltas (Kagawa Japan)
2022 Kameyama Triennale2022 (Mie Japan)
2019 Taro Okamoto Contemporary Art Award of selected works Audience vote 3rd place (Taro Okamoto Museum of Art Kanagawa Japan)
2019 Aichi Triennale Related project [Emotional depth and shallowness] Gorup Exhtbition ( Yamazaki Mazak Museum of Art Aichi Japan)
2017 Kameyama Triennale2017 (Mie Japan)
Born 1976 in Aichi









