Scenery seen by the roadside stones

Year: 2024

Material/Technique: Panel, Mixed Media

Size: 80.5 × 60.8 × 2.5 cm

Edition: Unique

Signed:Included

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USD 1,448

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones

About the Work

Year
2024
Material/Technique
Panel, Mixed Media
Size
80.5 × 60.8 × 2.5 cm
Edition
Unique
Signed
Included
Frame
Not Included
Work Certificate
Included
Distributor of artworks
FUJIWARA Fumie
Ship-from Area
Aichi Prefecture
Days Until Dispatch
2-3 Days
Category
Painting
Style
Conceptual, Everyday

Work Details

Concept and production intention of the work

This is a view from the viewpoint of a roadside pebble. That pebble will also be attached to the work. I'm drawing on black sandpaper with those pebbles, just like drawing with chalk on a blackboard. The pebbles on the side of the road literally turn my body into powder, painting the world around me in my own colors and from my point of view. That point of view and that moment of the surroundings are unique. “Roadside stones” are synonymous with “worthless things.” But that value standard is only for use. We are part of nature, but we tend to forget that.

The location is in the suburbs of Tokyo. There was a farm next to the station, and it was protected by nets and fences. You can see the building in the back. Even familiar places look different when you look at them from a different point of view. Even in the human world, there are diverse perspectives, diverse situations, and diverse personalities, and diverse judgments are born. My surroundings and myself are constantly changing, and they are changing day by day.

Exhibition scenery

 It was created for the Chuo Line Art Festival in Tokyo in autumn 2024 and exhibited at the ‘Space Sharing Program’.

What I wanted to express in this work

 I think we should think about society, including people in hospital beds who can't communicate with each other and fetuses in the mother's womb. People in hospital beds have a tremendous impact on families, and fetuses grow while being greatly influenced by their surroundings. If you think of society as a place where only a small number of people called members of society live, many social problems cannot be solved.

 Let's say there are people who are withdrawn and think they are being held back by society or are isolated from society. Even if you think that you have nothing to do with society, there is a current society, including the influence that person has on their surroundings and their thoughts, and the future will be created from there. Japan's aging population has progressed, and non-regular employment has increased. In Japan today, I think there are many people who think they are not at the center of society but in the periphery.

 When thinking about things, if you put people at the center, you will be thinking mainly about value judgments made by people. If you stay in the human world for a long time, there are many cases where your worth is not recognized. We are part of nature. In the face of the fury of nature, we are only small and ephemeral beings. How small are the values of the human world in the natural world. Being aware that you are part of nature and breaking away from a human-centered way of thinking may lead to a path of living with nature without being swayed by the values of the human world.

Production methods and tools used

Draw with stones on sandpaper: photograph the landscape from the perspective of roadside pebbles.
Based on that photo, I will draw a landscape with that stone on black sandpaper. Similar to writing with chalk on a blackboard, it is drawn using a stone that can be scraped and black sandpaper lines can be drawn.

The time it took to produce

about 10 days

About the production location (atelier)

Pictured location: Musashi-Koganei station area/Production location: atelier

Thoughts put into the work and title

No matter how trivial a person sees it, there is a unique point of view. It is one and only.

About donations

About donations: A portion of sales from this work will be donated by the author to charitable causes.

About reselling: If you resell this work, please donate 10% of the profits to charity.

View in a Room

Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones
Scenery seen by the roadside stones

How to Buy

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This artwork is available for purchase.

ArtSticker
Only

USD 1,448

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

FUJIWARA  Fumie
✔︎

2024 Center line art festival Tokyo 2024 Space Sharing Program International Open Call Exhibition (Tokyo Japan)
2022  International art competition ART OLIMPIA Exhibition of selected works Grand Prize Winner (Shizuoka Japan)
2022 ART SETOUCHI 2022 Solo Exhtbition at Honjima Yasuda House /Two-person exhibition at Marugame City Citizen Exchange Activity Center Maltas (Kagawa Japan)
2022  Kameyama Triennale2022 (Mie Japan)
2019 Taro Okamoto Contemporary Art Award of selected works Audience vote 3rd place (Taro Okamoto Museum of Art Kanagawa Japan)
2019 Aichi Triennale Related project [Emotional depth and shallowness] Gorup Exhtbition ( Yamazaki Mazak Museum of Art Aichi Japan)
2017   Kameyama Triennale2017 (Mie Japan)
Born 1976 in Aichi

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Last updated date
11.11.2024
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