Tide 13
Year: 2024
Material/Technique: Acrylic, Canvas, Panel, Resin
Size: 53 × 41.3 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 830
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.















About the Work
- Year
- 2024
- Material/Technique
- Acrylic, Canvas, Panel, Resin
- Size
- 53 × 41.3 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- The Chain Museum
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 会期終了後、1ヶ月〜1ヶ月半程度に発送予定
- Category
- Painting
Work Details
Size: H53 x W41.3 cm
Material: Acrylic on canvas, resin
Production year: 2024
Edition: one-of-a-kind
Framing: none
Work certificate: Yes
Signed: Yes
I am making paintings using the Decalcomany technique of pressing and peeling off another 130.3 with paint on the support. The painting is completed by replacing elements constituting physicality, such as the artist's brushstrokes and strokes, with paint patterns and material phenomena that occur accidentally. They mainly used images such as existing paintings and figures to disassemble and regenerate images without involving human consciousness.
Currently, in parallel with this production, I am making abstract color images without using specific images. In this series, we focus more on the material properties of paint by performing decalcomanies with slightly changing color surfaces and various objects with the same paint applied to them.
Despite my own production intentions, I am fascinated by the absurdity of eventually completing a picture due to a natural phenomenon due to a combination of paint and drawing materials that occurs in Decalcomanie.
Extinct migratory fish are fish that live in warm regions that are washed away in areas where they do not live originally, and die without being able to return to their original habitats.
A horizontally long painting with an unnatural ratio may or may not be a work created by dividing a single painting with a different ratio of horizontal length.
Accidental paint patterns formed by peeling off some substance can exist within paintings. The sense of substance created in the colors within the paintings never comes back. The irreversibility of not being able to return to its original state is fixed within the picture screen or in the space where it is displayed reminded of extinct migratory fish.
I want you to walk around the exhibition space where the connection between colors and the division of matter are repeated.
■Details
Signed on the back of the work
■Exhibition scenery
■Exhibition information on exhibited works
This work will be exhibited at the solo exhibition “Dead Migratory Fish,” which will be held from 2024/11/16 (Sat) to 12/15 (Sun) at GALLERY ROOM A, a commercial gallery in Asakusa.
Nishimura Kosuke's new solo exhibition “Dead Sea Fish”
会期
2024年11月16日(土) ~12月15日(日)
会場
GALLERY ROOM・A
住所
東京都墨田区本所2-16-5 KAIKA 東京 by THE SHARE HOTELS 1F STORAGE 1
電話番号
なし
開催時間
08:00〜23:00
休館日
会期中無休
観覧料
無料
アクセス
都営浅草線「浅草駅」徒歩8分 「本所吾妻橋駅」徒歩9分、都営大江戸線「蔵前駅」徒歩9分
会場URL
https://artsticker.app/events/49172
展覧会ページURL
Exhibition Information
- Past Exhibitions
- Nishimura Kosuke's new solo exhibition “Dead Sea Fish”11.16.2024 - 12.15
View in a Room
How to Buy
This artwork is available for purchase.
USD 830
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artists
Born in 1999 in Hyogo.
Graduated from Tokyo University of the Arts Graduate School Oil Painting Laboratory in 2024
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