Temperature, a first for me
Year: 2024
Material/Technique: Mixed Media, Acrylic, Digital, Resin, Acrylic Plate, Digital Print, Panel
Size: 72.7 × 53 × 6 cm
Edition: Unique
Signed:Included
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About the Work
- Year
- 2024
- Material/Technique
- Mixed Media, Acrylic, Digital, Resin, Acrylic Plate, Digital Print, Panel
- Size
- 72.7 × 53 × 6 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- The Chain Museum
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 会期終了後、1ヶ月~2ヶ月程度
- Category
- Painting
Work Details
Temperature, a first for me
*Overseas shipping is possible.
Price: ¥550,000 (tax included)
Production year: 2024
Size: H72.7 x W53.0 x D6.0 (cm)
Material: Material: UV printing on acrylic board x 3, UV printing x 1 on PVC board, acrylic, UV resin, powder pigment, hologram paper, picture frame (custom order)
Edition: Unique Piece (one-of-a-kind)
※The video was shot so that the details and structure are easy to understand.
Video taken from a distance
Videos taken from a nearby location
■Explanation of the work
The thick frame has a semi-three-dimensional structure with 3 acrylic plates with people printed on it, a total of 4 layers of PVC board with the background printed on it, and hologram paper that changes the way it looks depending on the reflection of light.
The parts inside the frame have been painted with acrylic paint and UV resin, so I would be happy if you could take a look at this Matière expression and the phenomena that occur physically.
◾️ The story of the entire exhibition
※This illustration was drawn by me in the image of this exhibition.
Thank you so much for visiting this work page. This is Hirose Sachiko.
This exhibition consists of works inspired by words my friend casually uttered in the olden days.
“How can people who can cry watching movies and TV shows do terrible things to others without worry?”
This phrase simply expresses that humans are not perfect, that life and humans are not perfect like creations like movies and dramas, and that sometimes people often do things worse than “villains.”
My friend himself may have said it casually, but it's a word that still sticks in my heart and I can't leave it.
For this exhibition, I took inspiration from these words, thought about one story, and created works related to it.
I would be happy if you could take a look.
STORY
The setting is the near future where civilization has fully developed.
Despite differences in status, people are living comfortably.
In the shadows were people doing “work that people don't want to do.”
They are people who are no longer able to maintain their life activities in an ethically correct way.
They are ostensibly supposed to have passed away, but they received life-prolonging measures in an “ethically incorrect” way and lived doing “work that people don't want to do,” such as “execution officers.”
The executioners were erased from their previous memories, made to appreciate a huge number of creative works produced based on “correct ethics,” such as TV and movies, and thoroughly instilled a “correct sense of ethics,”
Those who opposed it were taught that there was no value in survival, and they worked hard on their daily work “to protect peaceful days.”
One day, the executioner “Luca” picked up a book after finishing his work.
The title “The Other Side of This World” was written in that book, and it clearly described the execution unit to which she belonged and the girls.
“Is what I'm doing really the right thing?”
When she reported this book and her doubts to her superiors, she was kicked out of the unit.
The reason is that if that doubt spreads to others, there is a risk that they will not be able to take control of the unit.
Unable to live in an “ethically correct way,” she lived while regularly receiving “ethically incorrect” methods to prolong her life.
Therefore, if she is evicted from a facility owned by the unit, she will not be able to receive life support measures, and she will only be able to live for 49 more days.
Words overflowed from her mouth when she was evicted from the facility.
“How can people who shed tears watching movies and TV shows do such terrible things?”
Those words were against a superior officer who kicked himself out, and also against myself, who buried people who had made “mistakes.”
She travels in a “peaceful world” with “Lili,” a monkey with whom she shared many missions.
Although it has a 49-day deadline, it was her first, last, and best memory.
■The story of the work
Things I don't know, scenery I've seen for the first time,
The snowy landscape spreading all over was more dazzling than I expected
I took off my gloves and touched the snow
It fluttered to my fingertips and it melted in an instant and disappeared
I couldn't even know the temperature of the snow I wanted to know
■Details
It has been enhanced with UV resin.
Signed on the back of the work
■Production process
Pre-print data
Picture printed on the second acrylic sheet
Picture printed on the 3rd acrylic plate
Picture printed on the 4th layer of PVC
■Profile
Hirose Shoko (Shoko Hirose)
Graduated from Tokyo University of the Arts, Faculty of Fine Arts, majoring in oil painting in 2018.
After working as a designer for a game company, the artist works in the two fields of art and illustration.
Based on the concept of “an approach to painting that can only be done in the present day where the boundary between digital things and things that exist is blurred,” they print digitally created data and create painting works using various other techniques on top of it by printing digitally created data and manipulating it using drawing materials.
He is also active as an illustrator under the name “Hirose,” and has also worked on illustrations for domestic and international games, light novels, and popular works such as “Hatsune Miku.”
careers
2018 Graduated from Tokyo University of the Arts, Faculty of Fine Arts, Department of Oil Painting
Main Exhibitions
2018 66th Tokyo University of the Arts Graduation and Completion Works Exhibition (Tokyo Metropolitan Art Museum)
2022 Solo Exhibition “Life in a “PARALLEL” WORLD (Hankyu Men's Tokyo)
2022 “Art Fair GINZA TAGBOAT x MITSUKOSHI” (Ginza Mitsukoshi)
2022 WAVE2022 (Arts Chiyoda 3331)
2023 Hatsune Miku x ISETAN (Isetan Shinjuku)
2023 CULTURE ART PARK 2023 (Daikanyama Tsutaya)
2023 Born New Art Vol. 3 (Shibuya Scramble Square)
2023 solo exhibition “[Unreality] from Unreality: A Slumber's End” (Hanshin Umeda Main Store)
2024 ART OF MIKU (Shibuya/Sapporo Parco)
2024 GIRLS COLLECTION (Hanshin Umeda Main Store)
awarded
2014 Tokyo Wonder Wall 2014 Selected
2018 Independent TOKYO2018 Special Jury Award
Possession
KDDI CORPORATION
Exhibition Information
- Past Exhibitions
View in a Room
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Artist
Artist/Illustrator
Graduated from the Department of Painting, Faculty of Fine Arts, Tokyo University of the Arts in 2018. After graduation, worked as a designer in the game industry, and currently creates art that spans the fields of art and illustration. What foundation does what we call "reality" actually have? Since the development of digital technology, material existence and data existence have not only not been separated, but have permeated each other, and the boundary between them is becoming almost meaningless in terms of perception. Non-material images take on a strong sense of reality, and conversely, things that exist as material are also consumed symbolically as information. In this inverted situation, "existence" and "perception" are no longer self-evident, but appear as unstable processes that are constantly being generated. Graduated from Tokyo University of the Arts, Faculty of Fine Arts, majoring in oil painting in 2018. After graduation, he worked as a designer in the game industry, and now he works across the fields of art and illustration. In modern times, we live simultaneously in the world as material and the world as data, and the boundary between these is already blurred. Digital images have a strong sense of reality even though they have no matter, and on the other hand, things that exist as matter are also consumed as information. Under such circumstances, production is centered around questions such as “what is reality” and “how is existence recognized.” In production, a method of layering images as information and traces as matter on the same screen by outputting an image drawn in a digital environment to a support and adding material drawing such as oil paint or resin from above is used. The layers that occur on the screen are not simply visual structures; they also indicate the hierarchy of reality, fluctuating perceptions, and the state of the subject being reconstructed. He is also active as an illustrator under the name “Hirose,” providing illustrations for domestic and international games, light novels, and works starting with Hatsune Miku. While going back and forth between visual expression in the commercial field and practice as a work of art, he explores the state of painting in the present day.
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