Scenery seen from the farm stones

Year: 2024

Material/Technique: Mixed Media, Panel

Size: 41 × 60.5 × 2.5 cm

Edition: Unique

Signed:Included

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USD 729

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones

About the Work

Year
2024
Material/Technique
Mixed Media, Panel
Size
41 × 60.5 × 2.5 cm
Edition
Unique
Signed
Included
Frame
Included
Work Certificate
Included
Distributor of artworks
FUJIWARA Fumie
Ship-from Area
Aichi Prefecture
Days Until Dispatch
2-3 Days
Category
Painting
Style
Conceptual, Everyday

Work Details

Concept and Intention of the Artwork

This is a view from the viewpoint of a roadside pebble. That pebble will also be attached to the work. I'm drawing on black sandpaper with those pebbles, just like drawing with chalk on a blackboard. The pebbles on the side of the road literally turn my body into powder, painting the world around me in my own colors and from my point of view. In Japanese, “turning meat into powder” means “to work hard.” That point of view and that moment of the surroundings are unique. “Roadside stones” are synonymous with “worthless things.” But that value standard is only for use. We are part of nature, but we tend to forget that.

The location is in the suburbs of Tokyo. There was a farm next to the station, and it was protected by nets and fences. You can see the building in the back. I thought it was a landscape not found in rural farms. Even familiar places look different when viewed from a different perspective. Even in the human world, there are diverse perspectives, diverse situations, and diverse personalities, and diverse judgments are born. My surroundings and myself are constantly changing, and they are changing day by day.

Exhibition View

 It was created for the Chuo Line Art Festival held in Tokyo in the fall of 2024 and exhibited at the “Space Sharing Program.” The transparent acrylic cover has been removed from the exhibition.

The transparent acrylic cover is about 7 cm deep. If you remove the wood screws with a screwdriver, the cover will come off. The stones used for drawing are glued together. The title of the work and the author's signature are handwritten on the left and right sides of the stone. The frame is an item that has been used in other exhibitions. It's not brand new. There are small scratches, etc. Please be aware in advance.

What You Want to Express Through the artwork

 I think we should think about society, including people in hospital beds who can't communicate with each other and fetuses in the mother's womb. People in hospital beds have a tremendous impact on families, and fetuses grow while being greatly influenced by their surroundings. If you think of society as a place where only a small number of people called members of society live, many social problems cannot be solved.

 Let's say there are people who are withdrawn and think they are being held back by society or are isolated from society. Even if you think that you have nothing to do with society, there is a current society, including the influence that person has on their surroundings and their thoughts, and the future will be created from there. Japan's aging population has progressed, and non-regular employment has increased. In Japan today, I think there are many people who think they are not at the center of society but in the periphery.

 When thinking about things, if you put people at the center, you will be thinking mainly about value judgments made by people. If you stay in the human world for a long time, there are many cases where your worth is not recognized. We are part of nature. In the face of the fury of nature, we are only small and ephemeral beings. How small are the values of the human world in the natural world. Being aware that you are part of nature and breaking away from a human-centered way of thinking may lead to a path of living with nature without being swayed by the values of the human world.

Production methods and tools used

Take a picture without looking into the viewfinder from the point where the pebbles have fallen. Based on that photo, I will draw with that pebble on black sandpaper. It's like drawing with chalk on a blackboard. I draw using pebbles scraped and white lines attached to black sandpaper. The thin black lines are drawn by removing stone powder with a kneaded eraser. Fixtures are used for fixing. The impression of the picture changes depending on the color and hardness of the stone. If the stone is hard, the depiction is detailed and sharp, and if the stone is soft, the depiction is rough and gentle. The paintings also show the individuality of the stone.

Production Time

about 10 days

Production Location

Pictured location: Musashi-Koganei station area/Production location: atelier

Thoughts on the Artwork and Title

No matter how trivial a person sees it, there is a unique point of view. It is one and only.

About donations

About donations: A portion of sales from this work will be donated by the author to charitable causes.

About reselling: If you resell this work, please donate 10% of the profits to charity.

View in a Room

Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones
Scenery seen from the farm stones

How to Buy

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This artwork is available for purchase.

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USD 729

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

FUJIWARA  Fumie
✔︎

2024 Center line art festival Tokyo 2024 Space Sharing Program International Open Call Exhibition (Tokyo Japan)
2022  International art competition ART OLIMPIA Exhibition of selected works Grand Prize Winner (Shizuoka Japan)
2022 ART SETOUCHI 2022 Solo Exhtbition at Honjima Yasuda House /Two-person exhibition at Marugame City Citizen Exchange Activity Center Maltas (Kagawa Japan)
2022  Kameyama Triennale2022 (Mie Japan)
2019 Taro Okamoto Contemporary Art Award of selected works Audience vote 3rd place (Taro Okamoto Museum of Art Kanagawa Japan)
2019 Aichi Triennale Related project [Emotional depth and shallowness] Gorup Exhtbition ( Yamazaki Mazak Museum of Art Aichi Japan)
2017   Kameyama Triennale2017 (Mie Japan)
Born 1976 in Aichi

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Last updated date
11.11.2024
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