“A Sereia Puffy”
Year: 2023
Material/Technique: Print, Inkjet Print
Size: 116.4 × 55.4 cm
Edition: Unique
Signed:Included

About the Work
- Year
- 2023
- Material/Technique
- Print, Inkjet Print
- Size
- 116.4 × 55.4 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Category
- Mixed Media
Work Details
It is a work drawn with a mermaid as a motif.
What is drawn is photographed, printed, and then further refinements are repeated, and a single image gradually becomes unclear.
I drew a picture of a mermaid whose body collapses due to repetition.
inkjet, copperplate engraving, silkscreen
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Artist
artist
1999 Born in Shizuoka 2022 Aichi Prefectural University of Art Graduate School of Fine Arts, Department of Fine Arts, Oil Painting/Printmaking Course 2020 Graduated from Musashino Art University, Faculty of Art and Design, Department of Oil Painting, Printmaking I am exploring the “ambiguity” and “misalignment” inherent in my identity through media such as printmaking and photography. I grew up in Japan as a third-generation Japanese, and the feeling I was nurtured by overlapping cultures and languages was always accompanied by a sense of incongruity with my surroundings. Printmaking, which includes processes such as corrosion and transfer, creates “misalignment” that does not go the way you want. That sense of coincidence and ambiguity resonates with the uncertainty of boundaries that I myself have felt. Even in photos, if you dare to add filters and noise, the image will be blurry and the meaning will not be uniform. It is in this uncertainty that overlooked contours and multi-layered possibilities emerge. For me, production is also the act of looking at myself from a distance. By keeping a distance from things, things you couldn't see come to light. Scenery that can only be seen because the focus is not determined, and the feeling that stands out only because it cannot be clearly defined. Scooping them up and putting them into shape is at the root of my expression.
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