“A Sereia Puffy”

Year: 2023

Material/Technique: Print, Inkjet Print

Size: 116.4 × 55.4 cm

Edition: Unique

Signed:Included

“A Sereia Puffy”

About the Work

Year
2023
Material/Technique
Print, Inkjet Print
Size
116.4 × 55.4 cm
Edition
Unique
Signed
Included
Frame
Included
Work Certificate
Included
Category
Mixed Media

Work Details

The concept of the work

It is a work drawn with a mermaid as a motif.

What is drawn is photographed, printed, and then further refinements are repeated, and a single image gradually becomes unclear.

I drew a picture of a mermaid whose body collapses due to repetition.

Production method

inkjet, copperplate engraving, silkscreen

How to Buy

Torigoe Ayra
✔︎

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Artist

Torigoe Ayra
✔︎

1999 Born in Shizuoka 2022 Aichi Prefectural University of Art Graduate School of Fine Arts, Department of Fine Arts, Oil Painting/Printmaking Course 2020 Graduated from Musashino Art University, Faculty of Art and Design, Department of Oil Painting, Printmaking I am exploring the “ambiguity” and “misalignment” inherent in my identity through media such as printmaking and photography. I grew up in Japan as a third-generation Japanese, and the feeling I was nurtured by overlapping cultures and languages was always accompanied by a sense of incongruity with my surroundings. Printmaking, which includes processes such as corrosion and transfer, creates “misalignment” that does not go the way you want. That sense of coincidence and ambiguity resonates with the uncertainty of boundaries that I myself have felt. Even in photos, if you dare to add filters and noise, the image will be blurry and the meaning will not be uniform. It is in this uncertainty that overlooked contours and multi-layered possibilities emerge. For me, production is also the act of looking at myself from a distance. By keeping a distance from things, things you couldn't see come to light. Scenery that can only be seen because the focus is not determined, and the feeling that stands out only because it cannot be clearly defined. Scooping them up and putting them into shape is at the root of my expression.

See artist information

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Last updated date
03.05.2024