ネオ・クジラスタイル

Year: 2022

Material/Technique: Paper, Wood, Acrylic, Wire

Size: 50×91×70cm

Edition: Unique

Signed:Not Set

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USD 1,875

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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ネオ・クジラスタイル

About the Work

Year
2022
Material/Technique
Paper, Wood, Acrylic, Wire
Size
50×91×70cm
Edition
Unique
Signed
Not Set
Frame
Not Included
Work Certificate
Not Set
Distributor of artworks
kemono gallery
Ship-from Area
Not Set
Days Until Dispatch
Not Set
Category
Sculpture
Style
Others

Work Details

故郷の海を訪れた際に、目にした漂着物たち。

プラスチックや、ペットボトルのように分解されずに

そこに残ったモノたち。

マツノザイセンチュウのような外来生物によって、急激な松枯れを

起こし、流木となり処理しきれず堆積したもの。

時間の経過とともに変化していった自然の形。

否定的に考えれば、人間の横暴によって生まれた廃棄物たち。

他の、外来生物たちだってそう。元々は、人間が持ち込み、いらなくなったから駆除する。彼ら外来生物は、住処を勝手に変えられ殺される。

自然界では、人間がどうのこうのではなく、そこにあるものが変化し、順応して新しい自然ができていくものだとも思う。

ブラックバスなんかはそうだ。在来種が、減ったからと、人間が手を

加えるが、実際は逆効果で、いたちごっこになる。

そのままの方が、あるべき形になるらしい。

予てより、私は、このような考えがあり自然を見つめてきた。

そんな中での、想像した生き物。

それが、このネオ・クジラスタイルなんです。

生物は、食べたもので体が作られます。

そして、生きています。

誰も食べれない、分解しきれない。そんなものを糧として生きている生物がいたらどうだろう?

そんな風に考えたんです。

進化の過程でそうなったとしたら、うまい具合に自然に組み込まれていくのではないかと、思ったりします。

Exhibition Information

Exhibition Venue
けもの
Permanent

How to Buy

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This artwork is available for purchase.

USD 1,875

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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4 Favorites
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Artist

kemono gallery
✔︎

kemono gallery

Kemono Painter (kemono graphy)

There are mysterious powers in nature. They seem to be visible and invisible, and their existence is unstable, and I feel them and visualize them through my work I'm trying it out. The theme of my work is the world of nature, mythology, and the invisible senses. Patterns and colors that emerge when looking at living things from a unique viewpoint — these are named “kemonography (chemography)” and recorded. Produced at the atelier and gallery “Kemono” in Senmaya, Iwate Prefecture. Through exhibitions and exhibiting at events, I depict the harmony between fantasy and reality. In 2004, he had a strange experience (surrounded by pale light), and then began production activities after being unable to help drawing pictures. solo exhibition 2016 Kemono (Kemono) Gallery Chloe Kemono Shiroi Human Exhibition (SEA CANDEL COFFEE) Miyagi 2017 Kemono (Kemono) Gallery Noten Shizuku Exhibition (SEA CANDEL COFFEE) Miyagi 2018 KEMONO GALLERY in TAIPEI “Dumb Beast” Taipei 2019 Kemono Gallery: The Flesh of the Fierce Angel Iwate 2021 Kemono no Daichi Exhibition Iwate Group Exhibitions 2014 JADIF Selected Exhibition, Setagaya Art Museum, Tokyo 2015 JADIF SELECTION EXHIBITION SETAGAYA MUSEUM OF ART TOKYO 2016 JADIF Selected Exhibition, Setagaya Art Museum, Tokyo 2017 ~ Senmaya Honcho Art Festival Senmaya Honcho Shopping Street Iwate 2022 Cross Over Japanese Art Collective Bangkok 2023 INTERVENTIVE INTERNATIONAL ART EXHIBITION M.A.D.S ART GALLERY MILAN Collaboration (design, live painting, etc.) 2004 ~ Vol 11 Chalumnae 3D Fes Live Paint Miyagi Shana Rishana Rhythm CD Jacket Design Tokyo 2014-2015 painting exhibition. At the same time, a driftwood easel was set up inside the booth Date Festival Miyagi 2015 Driftwood Easel Exhibition O'Hara Break Fukushima 2019 Collaboration between painting and dance Kyoto International Dance Festival Kyoto 2022 Deep Into the Deep Exhibition Former Ishii Prefectural Government Residence Iwate awarded Received the 2014 JADIF Award (JADIF) Received the 2015 JADIF Chairman's Director's Award (JADIF) 2016 Council Award Recipient (JADIF)

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感受したものを、けものの形を借りて表現していきたいと考えております。そのために、取材であったり表現として必要となるものに使わせていただきたいと考えております。何卒ご支援よろしくお願い申し上げます。

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Last updated date
11.21.2022
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