thaw
Year: 2023
Material/Technique: Stone, Brass
Size: 20 × 40 × 40 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 1,636
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2023
- Material/Technique
- Stone, Brass
- Size
- 20 × 40 × 40 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- 藤沢 恵
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Sculpture
- Style
- Abstract
Work Details
The boundary between binomials only appears when internal and external equilibrium is achieved, and they are constantly fighting and moving. What is visible as a shape is a fleeting “part,” and every event has a three-dimensional layer structure.
Using stones and metals that have opposite properties, I am working on the theme of “the harbor of events.”
People are fascinated by shapes that always seem to keep moving in one corner of their field of vision, and things that feel signs of life. I can't help but keep a close eye on things that “may move” or “may change” even when they are still.
How to Buy
This artwork is available for purchase.
USD 1,636
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
彫刻家
石と真鍮とアクリル板を用いて「なにものでもない」なにかを求めて制作しています。私の制作は、何かに例えようもない「なにものでもないなにか」をつくることは可能なのだろうか？という問いから始まります。どんなに物質の外側から刺激を加えても内部には作用できず、地続きの「外側」を更新し続けているに過ぎないことへのジレンマ、そして自分が「生物」であることに由来し、既視感のある形体から逃れようとすればするほどに臓物的な表現に近づいていきます。生物の概念そのものが変わることによって、または、地球上でこれから生まれうる生命体の環境条件から仮説を重ねていくことで、既存の形体から逃れられるだろうか。「なにものでもないなにか」を生めるだろうか。その答えを性急に求めることは、ただ分からない苦しさから逃れることに等しく、いまは分からなさに抗うだけです。
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