Soft Wall/Ambiguous Rejection 1
Year: 2025
Material/Technique: Marble, Brass, Acrylic Plate
Size: 15 × 20 × 25 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 1,511
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Marble, Brass, Acrylic Plate
- Size
- 15 × 20 × 25 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- 藤沢 恵
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Sculpture
- Style
- Conceptual, Half Abstraction
Work Details
Try communicating through positive negative communication. The meaning changes depending on each other's impressions and information, and is sometimes interpreted as a completely different message.
The shape of the fingers varies greatly from person to person, and it is one of the parts that shows work patterns and ways of life. I made my own full-sized hands without deforming them as much as possible, and combined them with a pedestal to aid communication. A brass ring has two meanings.
One is a smartphone ring (don't talk to me) and one is a ring attached to the middle finger of the left hand (enhances coordination)
How to Buy
This artwork is available for purchase.
USD 1,511
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
彫刻家
石と真鍮とアクリル板を用いて「なにものでもない」なにかを求めて制作しています。私の制作は、何かに例えようもない「なにものでもないなにか」をつくることは可能なのだろうか？という問いから始まります。どんなに物質の外側から刺激を加えても内部には作用できず、地続きの「外側」を更新し続けているに過ぎないことへのジレンマ、そして自分が「生物」であることに由来し、既視感のある形体から逃れようとすればするほどに臓物的な表現に近づいていきます。生物の概念そのものが変わることによって、または、地球上でこれから生まれうる生命体の環境条件から仮説を重ねていくことで、既存の形体から逃れられるだろうか。「なにものでもないなにか」を生めるだろうか。その答えを性急に求めることは、ただ分からない苦しさから逃れることに等しく、いまは分からなさに抗うだけです。
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