Inner View
Year: 2019
Material/Technique: Paper, Rocky Paint, Ink, Panel
Size: 227.3 × 181.8 cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
USD 12,661
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2019
- Material/Technique
- Paper, Rocky Paint, Ink, Panel
- Size
- 227.3 × 181.8 cm
- Edition
- Unique
- Signed
- Not Set
- Frame
- Not Set
- Work Certificate
- Not Set
- Distributor of artworks
- 松岡勇樹
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Painting
Work Details
“Massive secret energy is called wind...” Zhuangzi/Saimonori Seisen is a work that explores today's landscape paintings by capturing this passage as “nature alone has an essence to be learned,” sketching limestone caves and stalactites that can be said to be the body of the earth, and researching “Sun Moon Mountain Water Map Byobu” (Amanosan Kongoji Temple Collection) and “Sanin Dōzumaki” (written by Wu Bin). Limestone caves and stalactites are limestone composed of the remains of many organisms from 350 million years ago, scraped away by wind and rain, and born underground. The inside of the cave, which can be said to be the body of the earth, is like a place of condensed transformation between life and death, and it is a dynamism of life interwoven forever. The expression of the stalactite called the Golden Pillar, which was formed over millions of years, is like a spine or organ, and the sound of the wind like fetal movements in the cave and the humidity feel a figurative purple color with the human body. It really is an existence that includes time.
How to Buy
This artwork is available for purchase.
USD 12,661
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
1994年京都府亀岡市生まれ。京都を拠点に活動。 Born in 1994 in Kameoka City, Kyoto Prefecture. Based in Kyoto. 2018年三菱商事アート・ゲート・プログラム奨学生。2020年京都市立芸術大学 大学院美術研究科修士課程 絵画専攻 日本画 修了。日本の風土から生まれた絵画の再考・創作を志向している。コロナ禍に交通事故と病気による利き腕の手術、祖母の死を経験。入院中に見た雲の生成と消滅、医療に消費される豚を自覚したことで、豚生革や和紙に墨で点描した「はじまりもおわりもない」と題した絵画を制作。 2018 Mitsubishi Corporation Art Gate Program Scholarship recipient. In 2020, he completed the Master’s Program in Japanese Painting, Graduate School of Fine Arts, Kyoto City University of Arts. He explores revisiting and creating paintings born under the Japanese cultural climate. During the coronavirus pandemic, he experienced a traffic accident, surgery on his dominant arm due to illness, and the death of his grandmother. From the clouds he saw forming and disappearing while he was hospitalized, and becoming aware of the pigs consumed for medical purposes, he created paintings titled “no beginning and no end” using ink on pig rawhide and Japanese paper.
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