The backpack I was supposed to have nothing in it./ There was nothing in the backpack I was carrying.
Year: 2019
Material/Technique: Acrylic, Canvas
Size: 50 × 31 cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
USD 220
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2019
- Material/Technique
- Acrylic, Canvas
- Size
- 50 × 31 cm
- Edition
- Unique
- Signed
- Not Set
- Credits
- (C) OGURA YOSHIKO2023
- Frame
- Negotiations
- Work Certificate
- Not Included
- Distributor of artworks
- Yoyo-YOSHI
- Ship-from Area
- Kanagawa Prefecture
- Days Until Dispatch
- About a Week
- Category
- Painting
- Style
- Everyday, Pop Art
Work Details
The backpack I was supposed to have nothing in it./ There was nothing in the backpack I was carrying.
A backpack called the pressure my parents made me carry when I was a kid. But when I got older and opened that backpack, there was nothing in it. Even though it always felt heavy.
Then I finally became an adult.
I wanted to connect fragments of memory with color, and this work was born from that desire. I hope that by making the color as simple as possible, people can avoid unnecessary explanations and imagine the thickness of the paint and the time that passes by with brushstrokes.
Maybe I actually created the shackles (chains) that bind you.
acrylic on paper
20 hours
Produced in a French atelier
A work that gives you strength and makes you feel positive every time you look at a picture
View in a Room
How to Buy
This artwork is available for purchase.
USD 220
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo.
After working as a game character designer for several years,
She heads to France where she studies art for three years.
In France, she began drawing creatures that appeared in his dreams.
Those creatures she would also be influenced by in her game creation
These become some of the themes she still explores today.
She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt.
Why do people create things that cannot be seen?
why do you feel the soul
When she think about it, her hand moves and it becomes something's soul.
She is currently creating works based on her "animism" at her atelier in Kamakura Japan.
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アニミズムという日本人が持っている感覚を伝えていきたいと思いながら制作しています。
できるだけ多くの場所で作品を発表し、絵に関心のある皆様と話してみたいと願っています。
ご支援よろしくお願いいたします!