Immersion / breakthrough
Year: 2026
Material/Technique: Japanese Paper, Ink
Size: 62cm × 32cm × 2.5cm 2点
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2026
- Material/Technique
- Japanese Paper, Ink
- Size
- 62cm × 32cm × 2.5cm 2点
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- Misaki Hanazuka
- Ship-from Area
- Kanagawa Prefecture
- Days Until Dispatch
- About a Week
- Category
- Painting
- Style
- Fantasy, Japanese Painting / Japanese Style, Animal, Minimalism, Philosophy / Vanitas
Work Details
Immersion / Breakthrough
There is a waterfall called “Ryumon” in the rapids of the Yellow River, and carp that climbs through it becomes a dragon.
Inspired by “Dragon Gate,” these are two opposing carp works.
Nishikigoi is a breed created by human hands. The body, which is different from wild carp, is a natural projection of human ideals. The urge to sleep deep within the body is not lost, even if a human touch is applied to it. The urge to climb a waterfall and become a dragon still resides in the body itself.
Koi that soak their bodies deeply in water, and carp that splits up the surface of the water.
The two figures overlap with “defense” and “dissolution” in defensive breakup.
Both of these are not something that can be achieved by will alone, and there are always countless relationships involved.
I treat water as something I remember. When koi are deeply immersed in water, their five senses are sharpened by the flow. It's a quiet and very powerful time to head towards the leap that will come someday.
“Chiryu” Immersion
620mm×320mm
Ink and frame on Japanese paper
Ink on Japanese paper
This is where the power stored up during sinking shows up for the first time. Accumulated experiences are no longer perceived as such, and are unleashed as a single flow.
“Breakthrough”
620mm×320mm
Ink and frame on Japanese paper
Ink on Japanese paper
I incorporate ink flow into my work as a symbol of every flow and intention, and the possibility that appears at the boundary between chance and inevitability.
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This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Ink painter
Born in 1982 in Gifu. Graduated from Tokyo Gakugei University, Art and Culture Course, Department of Fine Arts. He studied under Tsuchiya Akitsune and learned classical techniques following the style of Maruyama Osamu. Based on her work experience as a yoga instructor, she develops productions that connect physical knowledge with ink painting expression.“Possibility” is something latent in the world before every phenomenon is determined into a single form, and the body leads that possibility to a phenomenon. This is the premise of my production. Familiar with dance as physical expression, I discovered yoga by following the essence of movement. Look at the myriad relationships with nature, others, land, time, and culture in the origin of breathing, center of gravity, and movement, and find a place of possibility in that constantly changing nature. The materials ink and Japanese paper clearly reflect the trajectory of such a body. Unconscious movement is applied to the line emitted with will, responding to the independent nature of the material, and it opens up into a phenomenon that exceeds one's own intentions. I paint paintings as traces of that. For me, nature is the physical feeling of stepping on soil, swimming and diving in rivers, and nurturing in the cycle of the seasons. The body is re-captured as a place that responds to the world, and continues to question the relationship between people and the world through production. I hope it will be an entrance for viewers to discover the possibilities that are filled at that moment. There is always “sky (sky)” at the root of activities. Realizing the potential of that feeling, which originally existed as a sense of emptiness, was a major turning point for me. Nothing means there is everything. It means it's full of possibilities.
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