Sunlit through bamboo
Year: 2025
Material/Technique: Japanese Paper, Ink
Size: 71.6 × 36.6 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 762
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.






About the Work
- Year
- 2025
- Material/Technique
- Japanese Paper, Ink
- Size
- 71.6 × 36.6 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- Misaki Hanazuka
- Ship-from Area
- Kanagawa Prefecture
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Half Abstraction, Emotional, Quiet, Japanese Painting / Japanese Style, Minimalism, Asia
Work Details
Sunlight shining into the bamboo grove is superimposed on a single bamboo on the screen. Even if you're lonely, as long as you live in this world, it's essentially impossible to be alone. It shows something like that.
Bamboo is hollow. It is a plant that has a structure that excels in lightness and flexibility, and symbolizes the fundamental philosophy of “being strong only because it is empty.”
Ink and glaze on Japanese paper
View in a Room
How to Buy
This artwork is available for purchase.
USD 762
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Ink painter
“Possibility” is something that is latent in the world before all phenomena are determined into a single form. The body leads that possibility to a phenomenon.
Breathing, center of gravity, and movement habits, and the trajectory of a stroke born from it are not made up only of individual will. It is shaped by countless relationships with nature, others, land, time, and culture, and continues to change constantly.
The mediums of ink and Japanese paper delicately reflect the trajectory of such a body. Unconscious movements are applied to the lines emitted with will, respond to the independent nature of ink and Japanese paper, and open up into a phenomenon that exceeds one's own intentions.
For me, nature is the physical feeling of stepping on soil, swimming and diving in rivers, and nurturing in the cycle of the seasons.
They learn from tradition, rethink the body as a place to respond to the world, and continue to question what painting is and how people can relate to the world.
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