Sakura Mist
Year: 2025
Material/Technique: Japanese Paper, Ink, Others
Size: 69.5 × 129.5 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Japanese Paper, Ink, Others
- Size
- 69.5 × 129.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- Misaki Hanazuka
- Ship-from Area
- Kanagawa Prefecture
- Days Until Dispatch
- 2-3 Days
- Category
- Painting
- Style
- Half Abstraction, Quiet, Japanese Painting / Japanese Style, Emotional, Minimalism, Asia
Work Details
A large branch of cherry blossoms that evokes the color of memory
The cherry blossoms drawn in monochrome are linked to colors in the viewer's memory and blossom, aiming for an appreciative experience involving experience.
Japanese paper, Japanese ink, dosa, spiced tea
In my hometown Gifu, Edohiganzakura (Uzumizakura), a famous Edohiganzakura tree that is over 1500 years old, I've been hearing the sounds of ink and cherry blossoms together since I couldn't remember. Drawing cherry blossoms in ink is a special motif for me, and I even feel that it was in my heart from the beginning, but I think the appearance of cherry blossoms blooming during the season that includes the end and beginning of spring tells the story of each person who looks up.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Ink painter
“Possibility” is something that is latent in the world before all phenomena are determined into a single form. The body leads that possibility to a phenomenon.
Breathing, center of gravity, and movement habits, and the trajectory of a stroke born from it are not made up only of individual will. It is shaped by countless relationships with nature, others, land, time, and culture, and continues to change constantly.
The mediums of ink and Japanese paper delicately reflect the trajectory of such a body. Unconscious movements are applied to the lines emitted with will, respond to the independent nature of ink and Japanese paper, and open up into a phenomenon that exceeds one's own intentions.
For me, nature is the physical feeling of stepping on soil, swimming and diving in rivers, and nurturing in the cycle of the seasons.
They learn from tradition, rethink the body as a place to respond to the world, and continue to question what painting is and how people can relate to the world.
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