Hydrangea blue

Year: 2026

Material/Technique: Paper, Ink, Pigment

Size: 92 × 32 × 2.5 cm

Edition: Unique

Signed:Included

This artwork is available for purchase.

USD 827

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Hydrangea blue
Hydrangea blue
Hydrangea blue
Hydrangea blue

About the Work

Year
2026
Material/Technique
Paper, Ink, Pigment
Size
92 × 32 × 2.5 cm
Edition
Unique
Signed
Included
Frame
Included
Work Certificate
Included
Distributor of artworks
Misaki Hanazuka
Ship-from Area
Kanagawa Prefecture
Days Until Dispatch
About 2 Weeks
Category
Painting
Style
Japanese Painting / Japanese Style, Minimalism, Quiet

Work Details

This work depicts “blue” through hydrangeas.

The various colors go through the shades of ink and converge into a single color.

It depicts the momentum of flowers blooming in blue.

Exhibition View

View in a Room

Hydrangea blue
Hydrangea blue
Hydrangea blue
Hydrangea blue
Hydrangea blue
Hydrangea blue

How to Buy

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This artwork is available for purchase.

USD 827

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Misaki Hanazuka
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Artist

Misaki Hanazuka
✔︎

Misaki Hanazuka

Ink painter

Born in 1982 in Gifu. Graduated from Tokyo Gakugei University, Art and Culture Course, Department of Fine Arts. He studied under Tsuchiya Akitsune and learned classical techniques following the style of Maruyama Osamu. Based on her work experience as a yoga instructor, she develops productions that connect physical knowledge with ink painting expression.“Possibility” is something latent in the world before every phenomenon is determined into a single form, and the body leads that possibility to a phenomenon. This is the premise of my production. Familiar with dance as physical expression, I discovered yoga by following the essence of movement. Look at the myriad relationships with nature, others, land, time, and culture in the origin of breathing, center of gravity, and movement, and find a place of possibility in that constantly changing nature. The materials ink and Japanese paper clearly reflect the trajectory of such a body. Unconscious movement is applied to the line emitted with will, responding to the independent nature of the material, and it opens up into a phenomenon that exceeds one's own intentions. I paint paintings as traces of that. For me, nature is the physical feeling of stepping on soil, swimming and diving in rivers, and nurturing in the cycle of the seasons. The body is re-captured as a place that responds to the world, and continues to question the relationship between people and the world through production. I hope it will be an entrance for viewers to discover the possibilities that are filled at that moment. There is always “sky (sky)” at the root of activities. Realizing the potential of that feeling, which originally existed as a sense of emptiness, was a major turning point for me. Nothing means there is everything. It means it's full of possibilities.

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Last updated date
09.01.2026
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