Organ
Year: 2025
Material/Technique: Japanese Paper, Ink, Foil
Size: 95 × 31.5 cm
Edition: Unique
Signed:Included
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Japanese Paper, Ink, Foil
- Size
- 95 × 31.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- Misaki Hanazuka
- Ship-from Area
- Kanagawa Prefecture
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract, Conceptual, Japanese Painting / Japanese Style, Minimalism, Philosophy / Vanitas
Work Details
An organ is a general term for an organ, and it is a term for an instrument that spun sounds.
The flow of ink wash is a pulse, and the senses and rhythms engraved in the pulse are individual living vibrations. It added light as an entity that surpasses physics.
When I draw a work, I always remove ink from a cup of water before drawing and have time to look at it. This work captures the time that becomes an introduction to metamorphic consciousness on paper.
I've been fascinated by the fluid I've been drawn to for some time and made it into an irresistible fluid.
Ink and gold leaf on Japanese paper
How to Buy
This artwork can no longer be purchased.
SOLD OUT
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Ink painter
“Possibility” is something that is latent in the world before all phenomena are determined into a single form. The body leads that possibility to a phenomenon.
Breathing, center of gravity, and movement habits, and the trajectory of a stroke born from it are not made up only of individual will. It is shaped by countless relationships with nature, others, land, time, and culture, and continues to change constantly.
The mediums of ink and Japanese paper delicately reflect the trajectory of such a body. Unconscious movements are applied to the lines emitted with will, respond to the independent nature of ink and Japanese paper, and open up into a phenomenon that exceeds one's own intentions.
For me, nature is the physical feeling of stepping on soil, swimming and diving in rivers, and nurturing in the cycle of the seasons.
They learn from tradition, rethink the body as a place to respond to the world, and continue to question what painting is and how people can relate to the world.
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