Sea Pattern_Hamajima
Year: 2024
Material/Technique: Photograph, Paper, Mixed Media
Size: 90 × 621 × 2.7 cm
Edition: Unique
Signed:Not Set
This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2024
- Material/Technique
- Photograph, Paper, Mixed Media
- Size
- 90 × 621 × 2.7 cm
- Edition
- Unique
- Signed
- Not Set
- Credits
- photo by 鈴木悠生
- Frame
- Not Set
- Work Certificate
- Not Set
- Distributor of artworks
- SUZUKI Mio
- Ship-from Area
- Not Set
- Days Until Dispatch
- Not Set
- Category
- Mixed Media
- Style
- Half Abstraction, Emotional, Everyday
Work Details
I've seen the most beautiful ocean ever, it was bluer than blue, clear blue
About the production of the work
I took a picture of the sea on Hamashima and collaged it printed on Japanese paper with thread and salt to create a seascape. By collaging multiple photos, it is a work of scenery that includes multiple layers of time.
How to Buy
This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artist
An installation will be developed on the theme of “reconstructing time and patterns.” By capturing trivial memories, scenery, and time as patterns, and by delicately and boldly reconstructing those patterns into space, they create works that enable viewers to trace memories and time. Mainly, cloth, thread, and things related to people and places are used as materials. Since they create works that spin time and memory, it is important to spin and launch with one's own hands. They also create site-specific works that work on local people's memories. It creates spaces and places and expresses installations that can be experienced. Born in 1993 in Tokyo, lives in Tokyo. After graduating from Musashino Art University, Faculty of Art and Design, Department of Architecture in 2016, he completed the Department of Advanced Art Expression at Tokyo University of the Arts Graduate School of Fine Arts in 2018. It is known for its installations on the theme of “reconstructing time and patterns.” In the “Broken Spinning, Thinking About Time” series, etc., she captures her own trivial memories, landscapes, and time as patterns, and by delicately and boldly reconstructing those patterns into space, it is possible for viewers to trace memories and time. Also, at the exhibition, site-specific installations will be developed that work on the time and memories that exist in that space, and the memories of people in the land.
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今後海模様シリーズの連作制作費のため、支援いただけると幸いです。