Berry Mermaid
Year: 2026
Material/Technique: Panel, Pigment, Colored Pencil, Acrylic
Size: 長径22.7×短径15.8×2cm
Edition: Unique
Signed:Included
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2026
- Material/Technique
- Panel, Pigment, Colored Pencil, Acrylic
- Size
- 長径22.7×短径15.8×2cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Not Set
- Distributor of artworks
- Haruta Sara
- Ship-from Area
- Aichi Prefecture
- Days Until Dispatch
- Not Set
- Category
- Painting
Work Details
chalk panel, pigment, colored pencils
A Painting is a place for encountering spirits. The spirit is not what we call the fairy, but the polysemous presence, the ancestral spirit or sprite that the Japanese have found in the mountains. It is also the imaginal (angel) as coined by Henry Corbin – I believe that when the imaginal living in the depths of our consciousness moves its home to a painting, it appears as a spirit. I create paintings and manifest their haven as the pictorial world in order to meet the spirits, and catch a glimpse of their appearance.
Testimonial
Invisible beings quietly appear from the depths of the canvas.
The image that arises from the fortune of particles, is the existence we call spirits that hide in deep within our memories and sensations.
Haruta paints as a quiet ritual to bring them forth, and offers art to be their home.
The door opened between reality and the imaginary, becomes a place for encountering the existence of the imaginal that appears as spirits.
To point our imagination towards the invisible, indicates the horizon of thoughts that art is about to quietly open.
(Daisuke Ohba)
Exhibition Information
- Past Exhibitions
- ARTISTS' FAIR KYOTO 202602.21.2026 - 03.01
How to Buy
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
painters
Born in Aichi in 1993 2017 Graduated from Tokyo University of the Arts, Faculty of Fine Arts, Department of Oil Painting 2019 Completed the Tokyo University of the Arts Graduate School of Fine Arts Master's Program in Oil Painting 2023 Tokyo University of the Arts Graduate School of Fine Arts Doctoral Program in Fine Arts completed a doctorate degree (oil painting) Currently based in Miyagi and Aichi. While referring to Japan's ancestral beliefs and Henri Corvin's angels, he creates works on the theme of “fairies.” Major exhibitions include “7senerie” Daimaru Tokyo Gallery and “LIFE LAND SHIBUYA ART AWARD” Tokyu Plaza Harakado (Grand Prix winner). Oriental surrealism “fairy world” Paintings are a place of encounter with “fairies.” A “fairy” is not a so-called fairy in the West, but rather a more polystical entity, and it is a form of ancestral spirits and spirits that Japanese people have discovered in the mountains. It is also an imaginary concept called by Henri Corvin, and it is also an archetypal image that lives deep in our consciousness. I paint paintings in order to meet “fairies” and because I want to see them, and I express their peaceful place as a world in the middle of the picture. Henri Corbin believes that “imaginary concepts” exist in a world without material, and he assumes that the real world is a shadow of those. This being, also called an “angel,” certainly exists in a phase different from the dimension we are in, and that is the same reality that I think about “fairies.” “Fairies” live in a fantasy world called the “fairy world,” and it can be said that it is a different world imagined by humans. Furthermore, if we go back to them, we reach the most fundamental domain of human perception = the realm of God. In other words, in order to touch even a small glimpse of God, I would like to capture “fairies” drifting in the middle between the deep layers of collective unconsciousness and crystallize them, and visualize as many “fairies” as possible. To that end, serendipity, which becomes important in surrealism, is necessary as a ceremony to invite “fairies” into the picture. This coincidence is brought about by introducing unknown effects that cannot be controlled into the painting while using various art materials, especially pigments, as particles. As a result, the figure of a fairy emerges from the depths of the picture. By carefully capturing them, I can crystallize “fairies” and keep them in my paintings forever. Mysterious colors and patterns brought about by “pigments” such as mineral pigments, gypsum particles, and crushed colored pencils seem to have existed in nature since time immemorial. As I stare closely at the inside of the picture, stains from paint and overlapping layers of drawing can sometimes be seen in the form of some kind of living thing. There are even times when I feel an outpouring of dynamism, as if they were wobbling. By imagining them just a little bit, I can encounter “fairies” appearing from the other side of the picture. exhibition 2025 7senies/Daimaru Tokyo Gallery/Tokyo 2025 Winter MITSUKOSHI Art Week/Three Nihonbashi Mitsukoshi Event Hall/Nihonbashi 2024 GROUP SHOW/Nihonbashi Mitsukoshi Contemporary Gallery/Nihonbashi 2023 WATOWA ART AWARD 2023 EXHIBITION/ WATOWA GALLERY/ ASAKUSA 2023 The 6th Prophecy The 6th Prophecy -Chapter 1 “Flashing Esquisse” /Seibu Shibuya/Shibuya 2023 Geidai Mythology GEISHIN/Geidai Art Plaza/Ueno 2022 Tokyo University of the Arts Doctoral Examination Exhibition/Tokyo University of the Arts Museum/Ueno 2022 Comite Colbert Awards 2022/Tokyo University of the Arts Museum/Ueno 2022 Tsukuba Prize Painting Exhibition 2022/Studio's /Ibaraki Prefecture 2021 Young Artists' Show 2021/galleryA8T/Sendai 2020 Kamiyama Foundation 6th Graduation Achievement Exhibition (Award-Winning Works) /AXIS Gallery/Roppongi Sato Museum of Art 29th Scholarship Student Art Exhibition/Sato Museum of Art/Shinjuku 2019 67th Tokyo University of the Arts Graduation and Completion Works Exhibition/Tokyo University of the Arts/Ueno Kamiyama Foundation 5th Graduation Achievement Exhibition/FEI ART MUSEUM YOKOHAMA/Yokohama Small painting exhibition/Geidai Art Plaza/Ueno Alternative Paint/Electric Cultural Hall/Nagoya 4Clover Exhibition/Ginza Surugadai Gallery/Ginza 2018 52nd Les Poires Exhibition/Ginza Surugadai Gallery/Ginza Call Feeling/Trappis & Cookie/Slow Gallery/Kokubunji Award 2017 2074, The World of Dreams/Tokyo University of the Arts Museum/Ueno TUASUKI/Shinjuku Ophthalmology Gallery/Shinjuku 2016 Otome Exhibition/Gallery Child's Star/Daikanyama 2015 In the Air/ Arts Chiyoda 3331/Akihabara Award 2025 LIFE LAND SHIBUYA ART AWARD GRAND PRIX 2023 WATOWA ART AWARD 2023 FINALIST 2019 Teikyo University Purchase Award Sato International Cultural Education Foundation Sato Art Museum Scholarship Kamiyama Foundation 5th Graduation Achievement Exhibition “Excellence Award” 2017 Taito City Mayor's Award, Mr. O Memorial Award Kamiyama Foundation Art Support Program Scholarship 4th Year Student
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絵画は「妖精」との邂逅の場である。「妖精」とはいわゆるフェアリーではなく多義的な存在であり、日本人が山野に見出してきた祖霊や精霊の姿である。また、アンリ・コルバンのいうイマジナル(天使)でもあり、我々の意識の深層にすむイマジナルが絵画に棲み処を移したとき、「妖精」として現れるのだと考える。私は「妖精」たちと出会うため、また彼らの姿を見たいがために絵画を描き、彼らの安寧の地を画中界として顕現させる。
A Painting is a place for encountering spirits. The spirit is not what we call the fairy, but the polysemous presence, the ancestral spirit or sprite that the Japanese have found in the mountains. It is also the imaginal (angel) as coined by Henry Corbin – I believe that when the imaginal living in the depths of our consciousness moves its home to a painting, it appears as a spirit. I create paintings and manifest their haven as the pictorial world in order to meet the spirits, and catch a glimpse of their appearance.