Layers of Color 1502

Year: 2015

Material/Technique: Acrylic, Panel

Size: 30 × 30 × 2.4 cm

Edition: Unique

Signed:Included

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Layers of Color 1502
Layers of Color 1502
Layers of Color 1502
Layers of Color 1502
Layers of Color 1502
Layers of Color 1502

About the Work

Year
2015
Material/Technique
Acrylic, Panel
Size
30 × 30 × 2.4 cm
Edition
Unique
Signed
Included
Credits
©︎Hideaki Fujimoto
Frame
Not Included
Work Certificate
Included
Distributor of artworks
Hideaki Fujimoto
Ship-from Area
Okinawa Prefecture
Days Until Dispatch
About 2 Weeks
Category
Painting
Style
Abstract, Half Abstraction, Digital, Geometry, Minimalism

Work Details

Layers of Color 1502

Layers of Color series = non-figurative, spontaneous, phenomenal

Since the “Layers of Color” series, which began in 2015, I have been pursuing paintings that are pure visual phenomena, freed from the structure of figurative motifs.

This is the second work in the same series, and features a simple layer structure.

From where there is no clear theme, message, motif, or plan, every time one painting or scraping process is completed, the next process is judged, and eventually a screen that seems to be completed (including orientation) is determined.

The front and back sides of the panel are covered, and acrylic paint is applied directly to the screen, and acrylic paint is applied directly to the screen, but after undercoating and preparation with scrapers to crush the wood grain, paint is applied as an illustration of parts, solids, etc. The number of times to be repeated is also not predetermined, so each work is on a case-by-case basis.

Once you feel that the layers of paint are over, it's time for the scraping process. While pouring water on the screen, we will find the finished screen while grinding with water-resistant sandpaper.

The side of the screen has a black finish, and the slit on the back side is a duct that also serves as ventilation within the panel, but pins and hooks can also be hooked during installation. Since the screen has been scraped out, it is smooth and can be wiped clean with a dish towel or the like.

To make the most of “multi-layered magic,” one of the characteristics of painting. From the time I set out to create, I found a method in line with my desires in 1999.

Since then, we have been pursuing the possibilities of painting with a consistent technique called “laminating and grinding acrylic paint” with matières.

Exhibition View

Global Business Hub Tokyo (operated by Mitsubishi Estate)

Art curation service of The Chain Museum Co., Ltd.

It will be exhibited in the club space for about 6 months from 2023/9.

(art curation service)

https://artsticker.app/events/1739

(Global Business Hub Tokyo)

https://www.gbh-tokyo.or.jp/b/

Production Time

2 weeks

View in a Room

Layers of Color 1502
Layers of Color 1502
Layers of Color 1502
Layers of Color 1502
Layers of Color 1502
Layers of Color 1502
Layers of Color 1502
Layers of Color 1502

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Artist

Hideaki Fujimoto
✔︎

Painting as a phenomenon. We are exploring the possibilities of painting using a method of generating a screen by laminating and grinding acrylic paint. There are variations in screen styles, from those with objects to those without objects, and all works have common colors and mattieres. Born in Hyogo. He has lived in Okinawa since 1997. Until now, he has presented his works at solo and group exhibitions inside and outside the prefecture. Fujimoto was born with a passion for vehicles and machinery, he pursued his dream of "creating things" by enrolling in the local, AKASHI National College of Technology , Department of Mechanical Engineering. His graduation research focused on the wear of NBC blades in metal processing. During this period, images and textures of metal seen through an electron microscope continue to influence his current artistic creations. While at the college of technology, a growing interest in design and graphic art prompted a career shift. He transferred to the Industrial Design Department (now the Design Engineering Department) at Chiba University's Faculty of Engineering, delving into various aspects of design. For his graduation research, they explored the creation of painted works in the Fine Arts research lab. After graduating from university, and gaining professional experience, including working at a design firm, he decided to pursue a career as a painter. He enrolled in the Oil Painting Department at Musashino Art University, spending two years relearning the fundamentals of painting before completing their studies in March 1997. Immediately after graduation, he moved to Naha City, Okinawa, and began their artistic activities. Originally drawn to the layered, unique, and physical aspects of painting, in 1999, he discovered a technique of creating artworks through the layering of acrylic paint and grinding with sandpaper. Since then, while exploring various styles, he has been dedicated to pursuing the "layered magic" of painting. he held his first solo exhibition in Naha's public gallery in 1999. Subsequently, he has exhibited their works in solo and group exhibitions both in and outside Okinawa (Fukuoka, Kobe, Shizuoka, Tokyo, and Sapporo). For a detailed exhibition history, refer to the C.V. Fujimoto's original works and commissioned pieces have been delivered to numerous hotels, medical institutions, and offices. Here are some of the main delivered works: Mitsui Sumitomo Insurance Group Holdings (U.S.A.) Inc. / New York Office Kokura Daiichi Hospital Hilton Okinawa Miyako Island Resort, Hoshinoya Okinawa, MIyako Hotel Okura Fukuoka, Hyatt Regency Seragaki Island Okinawa, JAL Naha Airport Sakura Lounge, Expert Office Shinagawa, Palace Hotel Tokyo, DFS Okinawa, Montblanc GBU Japan. In recent years, Fujimoto has utilized online platforms, art subscriptions, and the internet for showcasing and selling his artworks. Additional activities include conducting scratching workshops as an instructor (2011, Itami City Museum of Art) and contributing artwork images for music CDs (2011, "Verklärte Nacht" by Yukito Are x Yuko Sato, Teichiku Entertainment). https://artmuseum-itami.jp/event/past_event/2011_event/513/ http://www.teichiku.co.jp/artist/ara-yukito/discography/TECG-25053.html

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Last updated date
06.30.2026
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