Layers of Color 1604
Year: 2016
Material/Technique: Acrylic, Canvas
Size: 33.4 × 33.4 × 2.5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 382
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.









About the Work
- Year
- 2016
- Material/Technique
- Acrylic, Canvas
- Size
- 33.4 × 33.4 × 2.5 cm
- Edition
- Unique
- Signed
- Included
- Credits
- ©︎Hideaki Fujimoto
- Frame
- Not Included
- Work Certificate
- Included
- Distributor of artworks
- Hideaki Fujimoto
- Ship-from Area
- Okinawa Prefecture
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract, Geometry, Philosophy / Vanitas
Work Details
Layers of Color 1604
Layers of Color series: non-figurative, spontaneous, phenomenal paintings
Begun in 2015, the Layers of Color series pursues painting as pure visual phenomenon, freed from the structure of figurative motifs. This work is the fourth of 2016 and the thirteenth in the series overall.
The basic method of the series is to layer and sand acrylic paint, then decide which surface counts as complete, orientation included.
There is no explicit theme. I hope you will first take in the colors and textures that emerge on the canvas simply as phenomena, just as they are.
I began this work with only a vague image as motivation: “pink as the main color.” On the premise that pink tones would be applied last, I first built up the layers with free, improvisational decisions, laying down colors other than pink.
Sanding away built-up paint means that part of it is lost. At the same time, the picture rises into view. Vanishing and emergence occur together. I continue sanding while exploring the state that appears between control and chance.
I consider a work finished when I feel that physical strength and imagistic richness coexist at a high level across the entire surface. It is the moment the picture reaches a beauty that exceeds my expectations yet feels inevitable.
The canvas is first prepared with a careful ground on both front and back, then temporarily stretched over a working board. On the front, more than twenty layers of paint, across both broad areas and details, are built up. The surface is then developed by sanding with waterproof sandpaper under running water. After the work is completed on the board, the canvas is cleaned and dried, then stretched onto its wooden stretcher bars. Because the surface is sanded out, it is smooth and can be wiped clean with a cloth.
My aim is to make full use of one of painting’s essential qualities: its “layered magic.”
In 1999, I found a way of working that answered the desire I have held since I first set out to paint. Since then, through a consistent technique and matière, layering and sanding acrylic paint, I have pursued the possibilities of painting.
3 weeks
View in a Room
How to Buy
This artwork is available for purchase.
USD 382
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
Need help with purchasing?Join the waiting list
Join the waiting list to be notified when artworks become available for purchase.
Start Chat
Our art concierge is here to help. Please feel free to chat with us about artwork recommendations or issues with purchasing.
Artist
painter
Painting as PhenomenonHideaki Fujimoto explores the possibilities of painting through a method that builds up the picture surface by layering and grinding acrylic paint. His compositions range from the representational to the non-representational, yet all share a common quality of color and matière.Born in Akashi, Hyogo Prefecture, Fujimoto developed an early fascination with vehicles and machinery that grew into a longing to "make things." This led him to AKASHI National College of Technology, where he studied mechanical engineering; his graduation research examined the wear of NBC cutting tools in metal processing, and the textures and imagery of metal he observed under an electron microscope during that research continue to inform his work today.While still a student, he grew increasingly drawn to design and graphic art, and decided to change course, transferring to the Department of Industrial Design (now the Department of Design Engineering), School of Engineering, Chiba University, where he studied design more broadly. For his graduation project, he worked in a fine art research laboratory, producing paintings.After graduating, he worked at a design office and gained other professional experience before once again deciding to pursue painting. He enrolled in the Department of Oil Painting at Musashino Art School, spending two years relearning the fundamentals of painting and completing the program in March 1997. He moved to Naha, Okinawa immediately afterward, and has been based there, continuing his practice, ever since.Having long been drawn to painting's layered structure, uniqueness, and physicality, Fujimoto arrived in 1999 at his signature technique: building the picture surface by layering acrylic paint and grinding it down with sandpaper. Since then, while continuing to explore a range of visual styles, he has consistently pursued what he calls the "layered magic" hidden within painting.In recent years, he has also actively presented and sold his work online, including through e-commerce platforms and art subscription services.
See artist informationSend a Sticker
Support Request Message
Send a Sticker to this artwork and support the artist.(¥160〜)
What is Sticker?









































ご覧頂きありがとうございます。
ArtStickerでは、現在「Layers of Color」シリーズからの作品を公開中ですが、他シリーズからも追加していく予定です。
多様なコンテンツや表現がある中で、「絵画のおもしろさ」を自分なりに考え探究しながら作家活動をしています。
ご支援は、作品の制作、発表活動、制作環境の維持に充てさせて頂きます。
どうぞよろしくお願い致します。