Layers of Color 1604

Year: 2016

Material/Technique: Acrylic, Canvas

Size: 33.4 × 33.4 × 2.5 cm

Edition: Unique

Signed:Included

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USD 382

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Layers of Color 1604
Layers of Color 1604
Layers of Color 1604
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Layers of Color 1604
Layers of Color 1604
Layers of Color 1604
Layers of Color 1604
Layers of Color 1604

About the Work

Year
2016
Material/Technique
Acrylic, Canvas
Size
33.4 × 33.4 × 2.5 cm
Edition
Unique
Signed
Included
Credits
©︎Hideaki Fujimoto
Frame
Not Included
Work Certificate
Included
Distributor of artworks
Hideaki Fujimoto
Ship-from Area
Okinawa Prefecture
Days Until Dispatch
About 2 Weeks
Category
Painting
Style
Abstract, Geometry, Philosophy / Vanitas

Work Details

Layers of Color 1604

Layers of Color series: non-figurative, spontaneous, phenomenal paintings

Begun in 2015, the Layers of Color series pursues painting as pure visual phenomenon, freed from the structure of figurative motifs. This work is the fourth of 2016 and the thirteenth in the series overall.

The basic method of the series is to layer and sand acrylic paint, then decide which surface counts as complete, orientation included.

There is no explicit theme. I hope you will first take in the colors and textures that emerge on the canvas simply as phenomena, just as they are.

I began this work with only a vague image as motivation: “pink as the main color.” On the premise that pink tones would be applied last, I first built up the layers with free, improvisational decisions, laying down colors other than pink.

Sanding away built-up paint means that part of it is lost. At the same time, the picture rises into view. Vanishing and emergence occur together. I continue sanding while exploring the state that appears between control and chance.

I consider a work finished when I feel that physical strength and imagistic richness coexist at a high level across the entire surface. It is the moment the picture reaches a beauty that exceeds my expectations yet feels inevitable.

The canvas is first prepared with a careful ground on both front and back, then temporarily stretched over a working board. On the front, more than twenty layers of paint, across both broad areas and details, are built up. The surface is then developed by sanding with waterproof sandpaper under running water. After the work is completed on the board, the canvas is cleaned and dried, then stretched onto its wooden stretcher bars. Because the surface is sanded out, it is smooth and can be wiped clean with a cloth.

My aim is to make full use of one of painting’s essential qualities: its “layered magic.”

In 1999, I found a way of working that answered the desire I have held since I first set out to paint. Since then, through a consistent technique and matière, layering and sanding acrylic paint, I have pursued the possibilities of painting.

Production Time

3 weeks

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Layers of Color 1604
Layers of Color 1604
Layers of Color 1604
Layers of Color 1604
Layers of Color 1604
Layers of Color 1604
Layers of Color 1604
Layers of Color 1604

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This artwork is available for purchase.

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USD 382

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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Artist

Hideaki Fujimoto
✔︎

Painting as PhenomenonHideaki Fujimoto explores the possibilities of painting through a method that builds up the picture surface by layering and grinding acrylic paint. His compositions range from the representational to the non-representational, yet all share a common quality of color and matière.Born in Akashi, Hyogo Prefecture, Fujimoto developed an early fascination with vehicles and machinery that grew into a longing to "make things." This led him to AKASHI National College of Technology, where he studied mechanical engineering; his graduation research examined the wear of NBC cutting tools in metal processing, and the textures and imagery of metal he observed under an electron microscope during that research continue to inform his work today.While still a student, he grew increasingly drawn to design and graphic art, and decided to change course, transferring to the Department of Industrial Design (now the Department of Design Engineering), School of Engineering, Chiba University, where he studied design more broadly. For his graduation project, he worked in a fine art research laboratory, producing paintings.After graduating, he worked at a design office and gained other professional experience before once again deciding to pursue painting. He enrolled in the Department of Oil Painting at Musashino Art School, spending two years relearning the fundamentals of painting and completing the program in March 1997. He moved to Naha, Okinawa immediately afterward, and has been based there, continuing his practice, ever since.Having long been drawn to painting's layered structure, uniqueness, and physicality, Fujimoto arrived in 1999 at his signature technique: building the picture surface by layering acrylic paint and grinding it down with sandpaper. Since then, while continuing to explore a range of visual styles, he has consistently pursued what he calls the "layered magic" hidden within painting.In recent years, he has also actively presented and sold his work online, including through e-commerce platforms and art subscription services.

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Last updated date
10.13.2026
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