《家具のシャンデリア/Spreading out like an open fan》《名古屋クロス・葡萄色》

In 1997, he began his career as an artist in Europe, targeting “ordinary people who aren’t usually interested in art” as his audience and adopting a style that moves away from the confines of the art world—such as museums and galleries—to install works outdoors.

He views “the expansion of human imagination” as the raison d’être of art and creates his works using “laughter, violence, and sexiness” as his tools.