關於作品
- 製作年份
- 2023
- 材料或技法
- 引領, 聚氨酯, 塑料, 木頭, 其他的
- 版本
- 獨特
- 簽名
- 不包含
- 畫框
- 不包含
- 作品證書
- 沒有設定
- 類別
- 安裝
- 風格
- 概念上的
作品詳情
Chronology
1911 Ito Hirofumi pedestal
1936 Diet Building tower
1942 metal requisition
2023 delayed illumination
This work began with a pedestal left standing in Okurayama Park in Kobe.
The metal statue that once stood there was lost during the wartime requisition of metal, leaving only the pedestal behind. During the research process, I discovered that the same decorative motif used on the pedestal also appears on the tower of the National Diet Building in Tokyo.
From this connection, I constructed a system in which 200 lights turn on two days after a switch is pressed—in other words, “the day after tomorrow.” This delayed illumination links two distant places: a public park in Kobe that anyone can enter, and the National Diet Building, a place accessible only to a limited number of people. At the same time, the delay makes the relationship between an action and its result uncertain.
In this work, “the day after tomorrow” is not treated as a future that should be reached immediately, but as a temporal gap in which memory and the present gradually begin to intermingle.
藝術家
artist
Born in 1984 in Toyama. Based in Osaka.
Graduated from Kyoto City University of Art Graduate School of Fine Arts, M.A Sculpture in 2010
2023 Tokyo University of the Arts Graduate School of Fine Arts GAP Research Student
Based on sculpture, she creates works on the subject of relationships with things that cannot be controlled, such as social systems, the environment, and accidental events.
Major solo exhibitions include “HUB IBARAKI ART PROJECT 2018-2019” (Ibaraki City, 2019), “It's Beautiful” (Higashiosaka Civic Art Center, 2019), “Tag” (Punt Wg/ Amsterdam, 2023), and “No Itching” (Vargas Museum/Manila, 2024).
Major grants and training include Yoshino Gypsum Art Foundation Overseas Training Program (New York, 2017), Agency for Cultural Affairs Emerging Artist Overseas Training Program (Manila, 2023), Pola Art Foundation International Exchange Grant (2024), International Exchange Fund Manila Branch Grant (2024), and Agency for Cultural Affairs Creation Support Program (2025).
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