關於作品
- 製作年份
- 2024
- 材料或技法
- 混合媒體
- 版本
- 獨特
- 簽名
- 沒有設定
- 畫框
- 沒有設定
- 作品證書
- 包括
- 類別
- 安裝
- 風格
- 概念上的
作品詳情
This installation work begins with the discovery of a robot discarded on the street, overlaying the gaze apparatus of 19th-20th century “human exhibitions” (World's Fairs and ethnographic spectacles) with the anticipated display of robots/AI in the near future. As technology advances and appearance and responses become more human-like, we conversely seek to measure “what it means to be human”—and it is precisely this measurement (the metrics) that becomes institutionalized and part of the exhibition. The work creates a quiet sense of unease and withholds judgment at the intersection of human mechanization and machine anthropomorphism, returning the criteria for evaluation back to the audience themselves.
藝術家
artist
Born in 1984 in Toyama. Based in Osaka.
Graduated from Kyoto City University of Art Graduate School of Fine Arts, M.A Sculpture in 2010
2023 Tokyo University of the Arts Graduate School of Fine Arts GAP Research Student
Based on sculpture, she creates works on the subject of relationships with things that cannot be controlled, such as social systems, the environment, and accidental events.
Major solo exhibitions include “HUB IBARAKI ART PROJECT 2018-2019” (Ibaraki City, 2019), “It's Beautiful” (Higashiosaka Civic Art Center, 2019), “Tag” (Punt Wg/ Amsterdam, 2023), and “No Itching” (Vargas Museum/Manila, 2024).
Major grants and training include Yoshino Gypsum Art Foundation Overseas Training Program (New York, 2017), Agency for Cultural Affairs Emerging Artist Overseas Training Program (Manila, 2023), Pola Art Foundation International Exchange Grant (2024), International Exchange Fund Manila Branch Grant (2024), and Agency for Cultural Affairs Creation Support Program (2025).
支援いただいたStickerは、作品の制作費のほか、制作環境の維持や記録映像の制作など、作品を形にするために大切に活用させていただきます。活動を応援していただけますと幸いです。