五地物语/神社

制作年份: 2022

材料或技法: 丙烯酸纤维, 帆布

尺寸: 116.7 × 91 × 1.5 cm

版本: 独特

签名:没有设置

这件作品可供购买。

USD 599

*显示的为汇率换算的参考价格。结算将以日元进行。

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五地物语/神社

关于作品

制作年份
2022
材料或技法
丙烯酸纤维, 帆布
尺寸
116.7 × 91 × 1.5 cm
版本
独特
签名
没有设置
制作人员名单
(C) OGURA YOSHIKO2023
画框
不包含
作品证书
不包含
艺术品分销商
Yoyo-YOSHI
发货区域
没有设置
发送前的天数
大概一周
类别
绘画
风格
日常生活, 流行艺术, 抽象的

作品详情

五个地方的故事

现代人漂浮在神社的背景下。它表达了一条从过去到未来的道路

作品的概念和制作意图

穿着合适衣服的人漂浮在神社的背景下。漫步神社强烈地让我想起了 “万物有灵论” 的概念。它表达了你在不知不觉中的信念,以及从过去到未来的道路

展览风景
我想在这部作品中表达什么

像白日梦一样模糊而舒适的空间

使用的生产方法和工具

画布上的丙烯酸树脂,康特

制作所花费的时间

70 小时

关于生产地点(工作室)

在我们的镰仓工作室制作

对作品和标题的想法

我希望它是一件能让你感到怀旧的作品,尽管它是一件现代作品。

观赏摆饰在房间里的样子

五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社
五地物语/神社

购买方式

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这件作品可供购买。

USD 599

*显示的为汇率换算的参考价格。结算将以日元进行。

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艺术家

Yoyo-YOSHI
✔︎

Yoyo-YOSHI

Painting artist

Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.

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最后更新日期
2023.08.01
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