午夜羊
制作年份: 2023
材料或技法: 帆布, 丙烯酸纤维
尺寸: 1000 × 810 cm
版本: 独特
签名:没有设置



关于作品
- 制作年份
- 2023
- 材料或技法
- 帆布, 丙烯酸纤维
- 尺寸
- 1000 × 810 cm
- 版本
- 独特
- 签名
- 没有设置
- 制作人员名单
- (C) OGURA YOSHIKO2023
- 画框
- 不包含
- 作品证书
- 不包含
- 艺术品分销商
- Yoyo-YOSHI
- 发货区域
- 神奈川县
- 发送前的天数
- 大概一周
- 类别
- 绘画
- 风格
- 日常生活, 流行艺术, 抽象的
作品详情
午夜绵羊
作品的概念和制作意图
什么是永无止境的 “ayatori”
它越来越多地改变形状,然后恢复到其初始形状。
在脚下游泳的 “鲶鱼” 有朝一日可能会引起地震。
通过直观地捕捉时间和变化的概念,它表达了静止、运动、永恒和瞬间之间的对比。
我不敢让角色变得逼真;我用生动的台词来表达。
我想在这部作品中表达什么
宁静与运动,永恒与瞬间的对比
使用的生产方法和工具
画布上的丙烯酸
制作所花费的时间
40 小时
关于生产地点(工作室)
在我们的镰仓工作室制作
对作品和标题的想法
一件能让你的生活空间变得扑鼻的作品。
观赏摆饰在房间里的样子
购买方式
这件作品可供购买。
USD 614
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艺术家
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.
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アニミズムという日本人が持っている感覚を伝えていきたいと制作しています。
できるだけ多くの場所で作品を発表し、絵に関心のある皆様と交流できたらと願っています。
ご支援よろしくお願いいたします!