伏间艺术:Zaimokuza Beach

制作年份: 2022

材料或技法: 丙烯酸纤维, 纸

尺寸: 174 × 360 cm

版本: 独特

签名:不包含

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这件作品可供购买。

USD 4,724

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4 我的最爱
伏间艺术:Zaimokuza Beach

关于作品

制作年份
2022
材料或技法
丙烯酸纤维, 纸
尺寸
174 × 360 cm
版本
独特
签名
不包含
制作人员名单
(C) OGURA YOSHIKO2023
画框
不包含
作品证书
不包含
艺术品分销商
Yoyo-YOSHI
发货区域
神奈川县
发送前的天数
大约两周
类别
绘画
风格
日常生活, 日本画/和

作品详情

伏间艺术:Zaimokuza Beach

作品的概念和制作意图

难道不能用那种变成棕色的颜色作为时间流逝的象征吗?

这幅作品是用白色画的,同时保留了地面的棕色。

人们说,以Zaimokuza为主题的沙滩曾经更大。

在快速成长时期的夏天,沙滩上布满了雨伞,人们笑得好像在洗土豆。

但是现在,沙子已经被刮掉了很长时间,而且离大海更近了。没有那么多人。

那些年我曾考虑过和 fusuma 一起画画。

沙滩的基本表情是由层叠的波浪在白色中反复撞击而绘制的,同时保留了fusuma的棕色。

然后,当我用白色画海浪时,我感觉自己变成了海浪,穿过了沙滩。

从长谷到向后延伸的稻村崎,他们故意使用了与地面棕色非常相似的 “金色” 和 “棕色” 油漆来表现未来会随着人们而不断变化的城市景观。

除了喧嚣,现在在Zaimokuza海滩还能感受到的是放松的时光和海洋的气味。

如果你们都能感觉到时间所描绘的 “fusuma的棕色” 很漂亮,我会很高兴。

我想在这部作品中表达什么

日落时风的声音,盐的味道 

使用的生产方法和工具

旧日本推拉门上的丙烯酸和铅笔

制作所花费的时间

80 小时

关于生产地点(工作室)

在我们的镰仓工作室制作

制作过程,工作室

对作品和标题的想法

我希望观众从现在开始想象他们回忆的色彩。

购买方式

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这件作品可供购买。

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限定贩售

USD 4,724

*显示的为汇率换算的参考价格。结算将以日元进行。

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艺术家

Yoyo-YOSHI
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Yoyo-YOSHI

Painting artist

Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.

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アニミズムという日本人が持っている感覚を伝えていきたいと制作しています。
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最后更新日期
2024.07.25
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