那个人说怪物会在紫藤季节聚集
制作年份: 2024
材料或技法: 丙烯酸纤维, 帆布, 墨水
尺寸: 45.5 × 38 × 1.5 cm
版本: 独特
签名:没有设置






关于作品
- 制作年份
- 2024
- 材料或技法
- 丙烯酸纤维, 帆布, 墨水
- 尺寸
- 45.5 × 38 × 1.5 cm
- 版本
- 独特
- 签名
- 没有设置
- 制作人员名单
- (C) OGURA YOSHIKO
- 画框
- 可协商的
- 作品证书
- 不包含
- 艺术品分销商
- Yoyo-YOSHI
- 发货区域
- 神奈川县
- 发送前的天数
- 2-3天
- 类别
- 绘画
- 风格
- 日常生活, 动物, 幻想, 日本画/和
作品详情
标题:那个人说紫藤季节怪物会聚集
作品的概念
就像一个生物把它拿在你手里,就像一只鸟在你肩上,像一只猴子。
它们的存在就好像肉眼可见一样;实际上,它们不存在。
画中有些东西改变了它的外观,正依靠在你身边。
我把那句老话 “上帝住在宇宙的一切(或一棵树,一棵草)中” 刻在胸前,
相信有800万神灵生活在自然界中,因此这部作品诞生了。
在衣服上绘制的图案是揭开自己身份的 “记录”。
他们将首先在画中演奏自己独特的节奏。
艺术品详情
她(他)的表情在紫藤花中是看不见的。
这是关于如何根据观众的感受解密面部表情。
有时,她(他)的表情可能会平静或悲伤。
标题:那个人说紫藤季节怪物会聚集
作品的概念
就像一个生物把它拿在你手里,就像一只鸟在你肩上,像一只猴子。
它们的存在就好像肉眼可见一样;实际上,它们不存在。
画中有些东西改变了它的外观,正依靠在你身边。
我把那句老话 “上帝住在宇宙的一切(或一棵树,一棵草)中” 刻在胸前,
相信有800万神灵生活在自然界中,因此这部作品诞生了。
在衣服上绘制的图案是揭开自己身份的 “记录”。
他们将首先在画中演奏自己独特的节奏。
首先将你感觉到的颜色放在白色画布上,然后用大白画布填充。
再次擦掉,然后重复。
构图是由从那里可以看到的附带形状决定的。
画布通过多次将石膏分层以获得光滑的表面效果,在绘制细节部分时更容易移动线条方面发挥了作用。
制作所花费的时间
对作品和标题的想法
这部作品让你感受到看不见的东西,这是一部安静而令人放心的作品。
制作方法
观赏摆饰在房间里的样子
购买方式
这件作品可供购买。
USD 344
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艺术家
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.
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アニミズムという日本人が持っている感覚を伝えていきたいと思いながら制作しています。
できるだけ多くの場所で作品を発表し、絵に関心のある皆様と話してみたいと願っています。
ご支援よろしくお願いいたします!