今天我要坐在黄色的房间里
制作年份: 2023
材料或技法: 控制板, 丙烯酸纤维, 混合媒体
尺寸: 21 × 21 × 1.2 cm
版本: 独特
签名:包括



关于作品
- 制作年份
- 2023
- 材料或技法
- 控制板, 丙烯酸纤维, 混合媒体
- 尺寸
- 21 × 21 × 1.2 cm
- 版本
- 独特
- 签名
- 包括
- 画框
- 不包含
- 作品证书
- 没有设置
- 艺术品分销商
- Yoyo-YOSHI
- 发货区域
- 神奈川县
- 发送前的天数
- 4-7天
- 类别
- 绘画
- 风格
- 流行艺术, 静物, 幻想, 情绪化的
作品详情
这件作品有黄色的花朵图案。
其中,他们聊天。
黄色花朵的花艺是 “温和的护理”。
这句话很常见,但是当我看最近的新闻时
这个主题让我觉得可以再次推出它。
那么你对谁好?
“友好” 的标准是什么?
同时要注意适合任何房间的可爱作品
我想把它做成一部有时能感受到黄色的 “危险” 和 “警告” 含义的作品。
很难找到与您的房间相匹配的复古服装图案
它有一个坚固的挂钩,所以你可以轻松地把它挂在墙上
背面保留了木材的柔和质感。由于将防霉剂涂在木纹上,因此可以安全地防潮。花中的人物描绘在中心
在圆形木板上使用丙烯酸涂料和粉彩
在圆形木板上使用复古图案纸、丙烯酸涂料和容器
50 小时
黄花的花语是 “温和的护理”。
这句话很常见,但是当我看最近的新闻时
这个主题让我觉得可以再次推出它。
那么你对谁好?
“友好” 的标准是什么?
同时要注意适合任何房间的可爱作品
我想把它做成一部有时能感受到黄色的 “危险” 和 “警告” 含义的作品。
观赏摆饰在房间里的样子
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艺术家
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.
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どなたでも気軽に入れるアート施設を地元に作りたいです。
アートをもっと身近に感じられる施設を増やせたら、と願っています。