马戏团舞会低声说话生活
制作年份: 2022
材料或技法: 丙烯酸纤维, 帆布
尺寸: 40 × 40 × 1.5 cm
版本: 独特
签名:包括




关于作品
- 制作年份
- 2022
- 材料或技法
- 丙烯酸纤维, 帆布
- 尺寸
- 40 × 40 × 1.5 cm
- 版本
- 独特
- 签名
- 包括
- 制作人员名单
- (C) OGURA YOSHIKO2023
- 画框
- 不包含
- 作品证书
- 不包含
- 艺术品分销商
- Yoyo-YOSHI
- 发货区域
- 没有设置
- 发送前的天数
- 大概一周
- 类别
- 绘画
- 风格
- 日常生活, 流行艺术, 抽象的
作品详情
马戏团舞会低声说话生活
不遗余力地搬家和生活的人
作品的概念和制作意图
我喜欢三越包装纸。由已故猪熊源一郎设计的 “Flower Hiraku” 这个名字看起来好像在摇晃,最重要的是,它甚至能让你感受到有节奏的声音。我对这张备受喜爱的包装纸进行了成像,然后在照片中制作了我想象中的马戏团花车中的角色。
我想在这部作品中表达什么
一个模棱两可而舒适的空间
使用的生产方法和工具
画布上的丙烯酸
制作所花费的时间
30 小时
关于生产地点(工作室)
在我们位于日本镰仓的工作室制作
对作品和标题的想法
这是我想在舒适的空间里放一件作品
观赏摆饰在房间里的样子
购买方式
这件作品可供购买。
USD 347
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艺术家
Painting artist
Graduated from Musashino Art University, Department of Oil Painting, Tokyo. After working as a game character designer for several years, She heads to France where she studies art for three years. In France, she began drawing creatures that appeared in his dreams. Those creatures she would also be influenced by in her game creation These become some of the themes she still explores today. She moved to Tokyo, New Zealand, and France, where she continued to pursue art as she felt. Why do people create things that cannot be seen? why do you feel the soul When she think about it, her hand moves and it becomes something's soul. She is currently creating works based on her "animism" at her atelier in Kamakura Japan. A city with history is a culture that believes in things that cannot be seen with the naked eye. The other day I asked the gardener to move a stone from my old folk house. He was afraid of the god that resided in the stone, asking, ``Is this stone safe to move?'' When I say to a child who lives near a shrine, ``God is always near you,'' He said, "Yes, I am protected by God." The reply came as if it were natural. We have always believed in things we cannot see Create it, fear it, or use it as food for your life. I continue to draw things that cannot be seen with the naked eye. Production is always born from questions, In order to solve this question, I put my vague thoughts on the screen. Make it possible to derive a solid answer visually. I will attempt several productions to express my questions from multiple angles. 2001 Graduated from Musashino Art University, Department of Oil Painting. Worked in Japan while working as a designer at a game company. 2005 Moved to Paris 2005 Enrolled in atelier “ACADEMIE DE LA GRANDE CHAUMIERE” 2005 Enrolled in Civilization Course at Paris-Sorbonne University (ELEMENTAILE2) 2006 Produced in Japan while working as a designer at a game company 2007 Enrolled in Paris Atelier "L'ACADEMIE DE PORT ROYAL" 2008 Worked as a sushi chef and artist only in the summer on Corsica (and then went to France only in the summer for three years) 2009 Returned to Japan Produced in Japan 2015 Moved to NZ; planned art exhibition for people with disabilities and held an exhibition as an immigrant 2019 He works as a vocational school lecturer and artist in France. 2021 Returned to Japan, built an atelier in an old folk house in Kamakura and started production activities Currently, I am obsessed with creating ``it'' while working as a drawing and character instructor.
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色々な地域で個展を開いてみたいです。絵に関心のある皆様と話してみたいと願っています。
ご支援よろしくお願いいたします!