Layers of Color 2101
Year: 2021
Material/Technique: Canvas, Acrylic
Size: 16 × 22.8 cm
Edition: Unique
Signed:Not Set





About the Work
- Year
- 2021
- Material/Technique
- Canvas, Acrylic
- Size
- 16 × 22.8 cm
- Edition
- Unique
- Signed
- Not Set
- Credits
- ©︎Hideaki Fujimoto
- Frame
- Not Included
- Work Certificate
- Included
- Category
- Painting
- Style
- Half Abstraction, Abstract, Others, Pop Art, Japanese Painting / Japanese Style, Emotional, Geometry, Digital, Primitivism, Energy, Asia
Work Details
Layers of Color 2101
Layers of Color series = non figurative, spontaneous, phenomenal paintings
2015年から始めた「Layers of Color」シリーズは、具象的モチーフの構造から解放されたところで、純粋視覚現象のような絵画を追求しています。
明確なテーマも、メッセージも、モチーフも、プランも無いところから、アクリル絵具の積層と研削によって、完成と思われる画面を(向きも含めて)決定するというのが、本シリーズの基本的手法です。
この作品では「赤い絵」という大まかなプランがありました。
それ以外は、即興的な判断による塗り重ねと削りで完成画面に至っています。
本シリーズの制作動機は、「絵画にしかできないこと」を私なりに追求してみる良いやり方だと思ったからです。
支持体上に絵具によってしか存在し得ない光景。物理的な結晶としての絵画。
そんな作品をを見てみたいという私の欲求の産物と言えます。
キャンバスは表裏両面に入念な地塗りによるプレパレーションの後、一旦仮板の上に張ります。
画面側に部分、ベタ合わせて20層以上の描写としての塗りを重ねます。
そして、水をかけながら耐水サンドペーパーで研削しながら画面を造っていきます。
仮板の上で制作し、完成後は清掃乾燥させてから木枠に張って完成となります。
画面は、削り出しているため平滑で、ふきんなどで拭き掃除もできます。
絵画の特性の一つ、「重層的なマジック」を活かしきること。
制作を志した頃からの、私の欲求に沿ったやり方を1999年に見つけました。
以来、「アクリル絵具の積層と研削」という一貫した技法・マチエールでペインティングの可能性を追求しています。
※ご購入の際は、作品裏面に紐付けして壁側設置金具同封で発送します。
Exhibition Information
- Past Exhibitions
- Boundaries of Existence04.16.2026 - 05.09Horizons of Sensibility — Visual Gateways from Okinawa12.04.2025 - 01.31.2026
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Artist
painter
Painting as PhenomenonHideaki Fujimoto explores the possibilities of painting through a method that builds up the picture surface by layering and grinding acrylic paint. His compositions range from the representational to the non-representational, yet all share a common quality of color and matière.Born in Akashi, Hyogo Prefecture, Fujimoto developed an early fascination with vehicles and machinery that grew into a longing to "make things." This led him to AKASHI National College of Technology, where he studied mechanical engineering; his graduation research examined the wear of NBC cutting tools in metal processing, and the textures and imagery of metal he observed under an electron microscope during that research continue to inform his work today.While still a student, he grew increasingly drawn to design and graphic art, and decided to change course, transferring to the Department of Industrial Design (now the Department of Design Engineering), School of Engineering, Chiba University, where he studied design more broadly. For his graduation project, he worked in a fine art research laboratory, producing paintings.After graduating, he worked at a design office and gained other professional experience before once again deciding to pursue painting. He enrolled in the Department of Oil Painting at Musashino Art School, spending two years relearning the fundamentals of painting and completing the program in March 1997. He moved to Naha, Okinawa immediately afterward, and has been based there, continuing his practice, ever since.Having long been drawn to painting's layered structure, uniqueness, and physicality, Fujimoto arrived in 1999 at his signature technique: building the picture surface by layering acrylic paint and grinding it down with sandpaper. Since then, while continuing to explore a range of visual styles, he has consistently pursued what he calls the "layered magic" hidden within painting.In recent years, he has also actively presented and sold his work online, including through e-commerce platforms and art subscription services.
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