Setting a Ladder, a Circle is Forming
Year: 2025
Material/Technique: Mixed Media, Collage
Size: 65.2 × 53 × 2 cm
Edition: Unique
Signed:Included
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Mixed Media, Collage
- Size
- 65.2 × 53 × 2 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Nozomu Kishimoto
- Ship-from Area
- Hokkaido
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract
Work Details
I pick up anonymous traces left in the city and create mainly collage works that combine those fragments with my own drawings (traces). We aim to create new senses and stories by capturing moments where boundaries blend, such as self and others within a city, or past and present.
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How to Buy
This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artist
Born in 1998 in Ibaraki. Lives in Sapporo. Focusing on the poetics born at the moment of blurring the boundary between the traces of others and the marks created by oneself, he is developing mainly collage works that combine fragments of photographs taken of traces left on the street with fragments of drawings drawn by oneself. This production extends to video works. Born in Ibaraki in 1998 2023 Graduated from Tokyo University of the Arts, Faculty of Fine Arts 2025 Completed Tokyo University of the Arts Graduate School of Fine Arts, Department of Global Art Practice Group Exhibitions 2022 “Residual Heat/Skin and Balloons” joint exhibition with OGU MAG+ Okada Moe 2022 “Migiwa De” ICHIGOYA Yanaka Ginza 2F Gallery Harada Marin Exhibition 2024 “Implementing Global Art Practices” YamaNote Line Museum 2025 “Tokyo University of the Arts Graduation and Completion Exhibition” Planning/Curation 2021 “Sculpture and Dialogue Method VII “Pool Day” Higure17-15CAS 2022 “Sculpture and Dialogue Method VIII/Part 3 “Pinch in and Out” Higure17-15CAS Contributions, etc. Criticisms of Okada Moe's works were contributed to the 2021 “Sculpture and Dialogue Method VII: The Day I Went to the Pool” booklet Essay contributed to the booklet “Scramble Gaze” sold at the joint exhibition “Palm Tree Move” by Asako Ishizaki and Konomi Kobayashi held in 2022 Room_412 2022 Commentary on the works of Honami Furunishi contributed to the “Sculpture and Dialogue Method VIII” booklet
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