Yoimachi No.2
Year: 2025
Material/Technique: Canvas, Acrylic, Mixed Media
Size: 45.5 × 27.3 × 3 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 1,037
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2025
- Material/Technique
- Canvas, Acrylic, Mixed Media
- Size
- 45.5 × 27.3 × 3 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Fuji Risako
- Ship-from Area
- 関東
- Days Until Dispatch
- About 2 Weeks
- Category
- Painting
- Style
- Abstract
Work Details
This work depicts the regularity of our unconscious mind. The lumpy texture in this work shows the earth, the parts blurred with water use water and lakes, and the square objects use wood, and are inspired by natural stones and minerals.
The shape of the land in this work is formed by tracing it to a logarithmic spiral, and a four-square object is placed at the center of the logarithmic spiral. A logarithmic spiral is a shape frequently observed in nature.
Even in the natural world, which appears to have been formed by accident or randomly, it probably follows a certain regularity.
It showed that we unknowingly repeat our lives based on rules without realizing it.
The wooden cube standing on the screen symbolizes “inevitability within chance” and “order contained in the unconscious” lurking in the natural world. The regular shapes seen in minerals and natural stones are rare orders that appear in chaotic nature. Inspired by that figure, this cube is placed in the work as a “miracle shape” that appears after countless choices and events overlap.
Derived from the theme of “nature,” it depicts humans.
When I first started drawing this series, the subject was “nature.”
The lumpy matière on the screen symbolizes the earth, and the soft layer that oozes symbolizes the flow of water.
It was close to my senses, evoking “memories of scenery” within me.
However, as production continued, the depiction of nature gradually began to be linked to human emotions, time, and philosophy.
Hard strata turn into “strongly engraved memories,”
The ooze of water leads to “thoughts and feelings that flow and do not return,”
And the “serenity” born in nature overlapped with my own inner serenity.
If you look at it superficially, this work is an abstract landscape based on imagination.
However, traces of my own life flow, memories, and thoughts have sunk into it.
Before I knew it, drawing nature was supposed to depict humans —
I think that is the quiet change and change of meaning that underlies this work.
Presence in Space
How to Buy
This artwork is available for purchase.
USD 1,037
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
artists
A lumpy texture reminiscent of the Earth's “earth” is developed, and works are produced.
The subject motif is “nature.”
A work is created by combining natural scenery and objects that I have felt somewhere.
By drawing on nature, we question our way of being.
What to draw, what to project
When I first started drawing abstract paintings, the subject was “nature.”
The lumpy texture that appears on the screen and the expression that paint oozes
It evoked “memories of scenery” and “senses” within myself.
However, as production continued, expressions of nature gradually became human emotions,
It became linked to time and philosophical questions.
A blurry, lumpy surface with no shape.
They have different meanings for each work
I'm staying, and it shows traces of my own inner world from time to time.
At some point, drawing nature was supposed to depict people and thoughts.
This is common to all series.
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