Nocturne
Year: 2025
Material/Technique: Acrylic, Canvas, Others, Mixed Media, Panel, Wood, Rocky Paint, Resin, Powder
Size: 50 × 30 × 2.5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 977
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2025
- Material/Technique
- Acrylic, Canvas, Others, Mixed Media, Panel, Wood, Rocky Paint, Resin, Powder
- Size
- 50 × 30 × 2.5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Tomo Sakurai
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 特注の作品箱を発注し、発送いたします。
- Category
- Painting
- Style
- Abstract, Conceptual, Emotional
Work Details
Just as “Nocturne (Nocturne)” in classical music entrusts the emotions of the night to the melody, this work also plays moments of silence and sound at night in the painting.
By daring to apply a thin layer of black base and picking up the wood grain, I was able to draw reverberation without any sign or voice. It is also an attempt to reimagine the invisible space called “night” from both sight and touch.
How to Buy
This artwork is available for purchase.
USD 977
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
contemporary artist
My practice explores dynamic equilibrium by viewing all phenomena as a continuum rather than fixed opposites. At its core is the Three Visual Principles: Black & White, Color, and Ma, representing opposition, transition, and the space where differences coexist.
Using paint, ink, resin, metal, earth, wax, glass, and mineral pigments, I work with melting, oxidation, heat, and deposition. I observe how materials transform and interact over time, allowing their behavior to shape the work.
These processes give rise to Awai, a space where differences remain distinct while existing together. Within Awai, equilibrium appears as a temporary state in which no element fully dominates another. It is not static balance, but a dynamic condition sustained through change, tension, and fluctuation.
My works preserve these transient relationships as material fragments of Awai and dynamic equilibrium.
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