View from the Hospital Ward II
Year: 2023
Material/Technique: Paper, Watercolor, Pastel, Colored Pencil
Size: 14.8 × 21 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 210
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2023
- Material/Technique
- Paper, Watercolor, Pastel, Colored Pencil
- Size
- 14.8 × 21 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Kiichiro Kobayashi
- Ship-from Area
- Tokyo
- Days Until Dispatch
- 額装の有無により異なりますが、通常はご購入確定後約2〜3週間以内に発送いたします。
- Category
- Drawing
- Style
- Everyday, Emotional, Half Abstraction
Work Details
View from the Hospital Ward II depicts the sensation of seeing the outside landscape after spending a period of time in a protected isolation room.
This work was created on mixed media paper (Paint’On White) using crayon and watercolor pencils. In the distance, Higashiyama Sky Tower, visible from the hospital in Aichi, is depicted.
While I was drawn in a sketchbook provided by a nurse, this piece was made using paper and materials that my mother purchased and brought from Sekaido. The difference in paper quality subtly affects how the landscape is received and held.
Rather than emphasizing symbolism or narrative, the work presents the scene as it was seen — a landscape that simply existed there.
View in a Room
How to Buy
This artwork is available for purchase.
USD 210
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
Born in Yokohama in 1995 and raised in Iwakura and Nagoya, Aichi. Kiichiro Kobayashi graduated in Oil Painting from Musashino Art University in 2018.
Since high school, he has explored how perception changes the appearance and value of things. His graduation project, Real Clothes I–III, combined fabric dyed from photographic pixel data with images drawn from observation, examining multiple aspects of a subject and links among memory, perception, materials, and process.
In 2020, The Rooster was selected as a finalist for the 22nd “1_WALL” Graphic competition. Based on differences between human and avian color vision, it examined how different perceivers experience different worlds.
Through painting, drawing, and digital media, Kobayashi explores how different worlds arise through perception. Using memories, dreams, and psychological experiences, he examines how meaning, judgment, and reality are formed and reconfigured through restrained lines and colors, materials, and repetition.
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