Landscape with an Otamatone
Year: 2023
Material/Technique: Paper, Pencil
Size: 12.5 × 17 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 175
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2023
- Material/Technique
- Paper, Pencil
- Size
- 12.5 × 17 cm
- Edition
- Unique
- Signed
- Included
- Regarding sales
額装込みの価格です。
作品保護のため額装を行い、作品証明書を添えて発送いたします。
発送までに約3週間ほどお時間をいただきます。
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- Kiichiro Kobayashi
- Ship-from Area
- Tokyo
- Days Until Dispatch
- Not Set
- Category
- Drawing
- Style
- Everyday, Half Abstraction
Work Details
This pencil drawing was made on October 9, 2023.
Using simple lines, I recorded an Otamatone and several everyday objects placed on a desk. The date remains visible within the image, preserving the atmosphere of a specific day as a small visual note.
Many of my works are based on fragments of memory and ordinary life. This piece also emerged from an unremarkable yet memorable moment.
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How to Buy
This artwork is available for purchase.
USD 175
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Painter
Born in Yokohama in 1995 and raised in Iwakura and Nagoya, Aichi. Kiichiro Kobayashi graduated in Oil Painting from Musashino Art University in 2018.
Since high school, he has explored how perception changes the appearance and value of things. His graduation project, Real Clothes I–III, combined fabric dyed from photographic pixel data with images drawn from observation, examining multiple aspects of a subject and links among memory, perception, materials, and process.
In 2020, The Rooster was selected as a finalist for the 22nd “1_WALL” Graphic competition. Based on differences between human and avian color vision, it examined how different perceivers experience different worlds.
Through painting, drawing, and digital media, Kobayashi explores how different worlds arise through perception. Using memories, dreams, and psychological experiences, he examines how meaning, judgment, and reality are formed and reconfigured through restrained lines and colors, materials, and repetition.
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日常の風景や記憶の断片を手がかりに、ドローイングや絵画の制作を続けています。
いただいたご支援は、画材費や額装費、今後の展示・発表活動のために活用させていただきます。
小さなスケッチから大きな作品まで、これからも制作を続けていくための力になります。作品を楽しんでいただけましたら、応援していただけると嬉しいです。