白夜を纏い

Year: 2019

Material/Technique: Rocky Paint, Ink, Paper, Panel, Others

Size: 58.8 × 71.5 cm

Edition: Unique

Signed:Not Set

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USD 956

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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白夜を纏い

About the Work

Year
2019
Material/Technique
Rocky Paint, Ink, Paper, Panel, Others
Size
58.8 × 71.5 cm
Edition
Unique
Signed
Not Set
Credits
© Moeko Machida
Frame
Not Included
Work Certificate
Not Set
Distributor of artworks
GALLERY TOMO
Ship-from Area
Not Set
Days Until Dispatch
Not Set
Category
Painting
Style
Others

Work Details

H 58.8 × W 71.5 cm 岩絵具、水干絵具、墨、麻紙、木材パネル 2019

夏にリトアニアに足を運んだ。

その昔ユダヤ人街だった通り道で、幽霊が今も横を通り過ぎる。

街外れにある建物で収容した人々を、工場の流れ作業のように「片付けていく」人々。

もう帰らない誰かの為に、立て続けられた丘の上の十字架。

たかだか30年前までの、人類の行いの数々。

国を守るとは、民族の誇りとは、言葉を守るとは何か。

生き残った人類は未だ答えの出ない問の海に溺れる一方で、白夜に照らされた木々の下で、ただ静かに佇むだけの死者がいるのだと思った。

『私が石ころを描き続ける理由』

「人間とは何か、生命とは何か」を、鉱物を描くことで探求しています。なぜこんなにも石を描くことに固執するのか、自分でもかなり不思議に思った時期もありました。

アーティストステイトメントよりも少し詳しく、その経緯をNoteに記しまとめました。ぜひご覧ください。

https://note.com/moeko_machida/n/n4ed8c0a52e41

●WEB

ArtSticker掲載以外の過去作品や展覧会などの活動情報を掲載しております。是非ご覧くださいませ。

https://www.moekomachida.com

●Instagram

作品の制作過程の様子はこちらで発信しております。フォローしていただけますと幸いです。

https://www.instagram.com/moeko_machida/

How to Buy

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This artwork is available for purchase.

USD 956

Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

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1 Favorites
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Artist

Moeko Machida
✔︎

Born Aichi, Japan and lives and works San Jose, CA since 2023 Mar 2015 MA in Fine Art (Nihonga: Japanese painting) Kyoto City University of Arts, Kyoto, Japan Moeko MACHIDA is an Aichi (Japan)-born artist who creates paintings under the prominent theme: the nature of life. Placing herself amid all phenomena surrounding lives, she carefully observes and perceives phenomena, thus meticulously putting them into images. ​Raised by biologist parents, she has been familiar with matters surrounding vitality and has had a strong perception of emotions since an early age. Consequently, she had gotten overwhelmed by the spirits of the dead and the invisible existences surrounding her. It was her expressionist self that found a way to face those presences that she could not detach herself from. ​The ideas she nurtured in studying Japanese painting and Butoh dance also have influences on her artistry. While studying at the Kyoto City University of Arts, she learned the Japanese painting method that places emphasis on sketching, through which she acquired an attitude of taking time to face the subject matter with serenity. She also started dancing in her childhood and studied Butoh eagerly during college, which led her to apply the Butoh-derived idea of the body as being amid phenomena surrounding lives to her work. ​ The pebble-like round aggregates that frequently appear in her paintings mirror how something in life exists and evolves, representing not only the living but also the dead. Her ultimate goal in creation is to be aware of the ways our senses and perceptions are, and thus share them with others through her work. ​She has participated in exhibitions, including solo shows, in Japan, Europe, and the San Francisco Bay Area, with her works now included in numerous private collections across these regions. She has also created sliding screen paintings for traditional Japanese houses and exhibited her work in hotels. In the spring of 2025, she begins a new creative journey based in Basel, Switzerland.

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材料費としてはもちろんのこと、様々な土地に足を運び取材をしたり、滞在制作などを行うことで、その後数年続くテーマを編み出してゆくことが多いため、そのアプローチの為の渡航費・滞在費などにも使わせていただきたく思います。また海外での展示やアートフェアの機会が巡ってきたときのために、少しずつでも貯金をしていきたいです。
また今後、家族が増えたりした折には、アトリエを家の外で構える必要なども出てきたりするので、どんなライフステージにおいても制作を続けていけるよう、その為の資金にあてたく思います。

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Last updated date
05.22.2020
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