Perspectives 66
Year: 2004
Material/Technique: Canvas, Oil
Size: 130 × 195 × 5 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
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Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2004
- Material/Technique
- Canvas, Oil
- Size
- 130 × 195 × 5 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Included
- Work Certificate
- Included
- Distributor of artworks
- Hiroto Iba
- Ship-from Area
- Not Set
- Days Until Dispatch
- About a Week
- Category
- Painting
Work Details
The main exhibitor for the style of undulating yellowish earth.
“Perspective 42” Snow Ryosha Florence Award Exhibition 2003
“Perspective 48” Sakaide Art Grand Prix 2004 Honorable Mention
“Vision 50” Beijing Exhibition 2004
“Vision 55” Freshman Exhibition 2004
“Perspective 57” Shinsei Exhibition 2004 Grand Prize
“Perspective 60” Snow Ryosha Florence Award Exhibition 2004
“Perspective 61” Yume Hiroba Haruhi Biennale 2005
“Perspective 63” Kyoto Prefecture Arts and Crafts Emerging Selection Exhibition 2005
“Perspective 64” Sakaide Art Grand Prix 2005 Honorable Mention
“Perspective 65” Kyoto Prefecture Arts and Crafts Emerging Selection Exhibition 2005
“Perspective 66” Hokuriku Chunichi Art Exhibition 2004 Honorable Work
“Perspective 69”: Eyes on Both Seas 2005
“Perspectives 70”: Eyes on Both Seas 2005
“Perspectives 83” Tenri Biennale 2005
“Perspective 84” Yukryosha Florence Award Exhibition 2005 Honorable Mention
“Perspective 85” Beijing Exhibition 2006
“Perspective 86” solo exhibition by Shinseido
(The environment where works are stored is not very good, and there are few works in good condition.
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This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
painters
He became truant from the 3rd grade of junior high school and retreated to his home for 3 years. That experience drastically changed my relationship with painting and gave me an opportunity to nurture the “core” of production.
After entering university, he drew many pictures of the mountain “Ichijouzan,” which was carved into a symbolic shape by illegal residential land development, as a “wound on the earth.”
While drawing works containing criticism of modern society, I was fascinated by idyllic landscapes and decaying buildings, and also painted in oil and tempera.
From the age of 30, he began drawing “Imaginary Scenery Living in This Era,” and later developed as the “Perspectives” series. This shows the desperate footprints of living positively in the face of criticism of society, difficulties, and anxiety. “Perspective” has been a series of works, and currently exceeds about 280 works.
