The Empty Lot Is Crowded
Year: 2025
Material/Technique: Oil, Canvas
Size: 112 × 324 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 13,181
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2025
- Material/Technique
- Oil, Canvas
- Size
- 112 × 324 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Set
- Work Certificate
- Included
- Distributor of artworks
- EQUAL™︎ ©
- Ship-from Area
- Abroad
- Days Until Dispatch
- Not Set
- Category
- Painting
- Style
- Everyday, Half Abstraction, Conceptual, Emotional
Work Details
WORK CONCEPT =™︎ ©
In my childhood, empty lots on holidays became our playgrounds. Parking lots, playgrounds, or even abandoned school sites—any space allowed us to meet other children. With no tools, we invented rules; with no toys, we created characters by hand. Tag, soccer, baseball, even spontaneously invented games. This freedom, improvisation, and collaborative creation became the starting point of my art. Today, I sculpt cars, figures, and imaginary characters from clay, placing them onto canvas as if the game never ended but continues in another form. They arise from imagination and carry emotion. As I grew, I learned to process difficulties and feelings alone, and these clay figures became barriers between myself and the world. Layered and arranged repeatedly, they quietly conceal true emotions and vulnerability.
* This work will be shipped from overseas. Thank you for your kind understanding in advance.
Exhibition Information
- Past Exhibitions
- MEMORY PRACTICE – Wei, Wei De|SOLO EXHIBITION c/o EQUAL™︎ ©08.02.2025 - 09.07
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How to Buy
This artwork is available for purchase.
USD 13,181
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
Inspired by fragments of personal memory, Wei Wei’s practice unfolds in the space between the haze of recollection and the clarity of retrospection. His works carry a visual sensibility of grafting and mending, weaving together impressions that are at once intimate and elusive. Whether layering forms or subtly fragmenting the picture plane, he approaches the canvas as a quiet observer, steering clear of overt narratives. Instead, he creates distilled visual encounters—placing magnified details alongside intimate close-ups—gently revealing a sense of everyday perception that feels both strangely familiar and just beyond reach.
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