Dirt Paradise
Year: 2024
Material/Technique: Oil, Spray Paint, Canvas
Size: 116.5 × 91 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 3,934
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2024
- Material/Technique
- Oil, Spray Paint, Canvas
- Size
- 116.5 × 91 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Set
- Work Certificate
- Included
- Distributor of artworks
- EQUAL™︎ ©
- Ship-from Area
- Abroad
- Days Until Dispatch
- Not Set
- Category
- Painting
- Style
- Everyday, Half Abstraction, Conceptual, Fantasy, Emotional, Geometry
Work Details
WORK CONCEPT =™︎ ©
I created a strange scene made of clay: cars roam and explore, surrounded by handmade Rooster Men, hens, and trees. The figures and objects are arranged, stacked, and clustered, forming a lively, dazzling paradise. Yet the stacking also acts as concealment. These forms are not mere decoration; they metaphorically represent my inner emotions. Each Rooster Man, hen, and tree silently blocks feelings I am unwilling to face. The toy cars move continuously among these sculptures, like a small restless will navigating the clay maze, perhaps merely delaying confrontation with the true core of my emotions.
* This work will be shipped from overseas. Thank you for your kind understanding in advance.
Exhibition Information
- Past Exhibitions
- MEMORY PRACTICE – Wei, Wei De|SOLO EXHIBITION c/o EQUAL™︎ ©08.02.2025 - 09.07
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How to Buy
This artwork is available for purchase.
USD 3,934
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
Inspired by fragments of personal memory, Wei Wei’s practice unfolds in the space between the haze of recollection and the clarity of retrospection. His works carry a visual sensibility of grafting and mending, weaving together impressions that are at once intimate and elusive. Whether layering forms or subtly fragmenting the picture plane, he approaches the canvas as a quiet observer, steering clear of overt narratives. Instead, he creates distilled visual encounters—placing magnified details alongside intimate close-ups—gently revealing a sense of everyday perception that feels both strangely familiar and just beyond reach.
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