Rumor of My 2nd Floor Leap
Year: 2024
Material/Technique: Oil, Canvas
Size: 60.5 × 41 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
USD 900
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.

About the Work
- Year
- 2024
- Material/Technique
- Oil, Canvas
- Size
- 60.5 × 41 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Not Set
- Work Certificate
- Included
- Distributor of artworks
- EQUAL™︎ ©
- Ship-from Area
- Abroad
- Days Until Dispatch
- Not Set
- Category
- Painting
- Style
- Everyday, Conceptual, Fantasy, Emotional
Work Details
WORK CONCEPT =™︎ ©
In my family’s eyes, I was always the stubborn, hot-tempered child. My aunt once told a story: she scolded me for my homework, I stormed upstairs to the second floor, and ten minutes later, she saw me walk back through the front door, thinking I had jumped from the second floor. From that day, she believed I shouldn’t be scolded, or I might do something reckless. This memory made me realize that my family’s understanding of me is built from fragments and misunderstandings. I gradually learned to hide my emotions and accept how my image was defined. These emotional experiences became material for my art. I make the characters isolated, exaggerated, stacked—sometimes absurd, like misunderstanding itself. The figures in the work are both me and how others see me.
* This work will be shipped from overseas. Thank you for your kind understanding in advance.
Exhibition Information
- Past Exhibitions
- MEMORY PRACTICE – Wei, Wei De|SOLO EXHIBITION c/o EQUAL™︎ ©08.02.2025 - 09.07
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How to Buy
This artwork is available for purchase.
USD 900
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
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Artist
Artist
Inspired by fragments of personal memory, Wei Wei’s practice unfolds in the space between the haze of recollection and the clarity of retrospection. His works carry a visual sensibility of grafting and mending, weaving together impressions that are at once intimate and elusive. Whether layering forms or subtly fragmenting the picture plane, he approaches the canvas as a quiet observer, steering clear of overt narratives. Instead, he creates distilled visual encounters—placing magnified details alongside intimate close-ups—gently revealing a sense of everyday perception that feels both strangely familiar and just beyond reach.
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