Perspective 182: Bridge to Tomorrow 2010
Year: 2010
Material/Technique: Panel, Oil, Others
Size: 162 × 112 × 4 cm
Edition: Unique
Signed:Included
This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
About the Work
- Year
- 2010
- Material/Technique
- Panel, Oil, Others
- Size
- 162 × 112 × 4 cm
- Edition
- Unique
- Signed
- Included
- Frame
- Negotiations
- Work Certificate
- Included
- Distributor of artworks
- Hiroto Iba
- Ship-from Area
- Shiga Prefecture
- Days Until Dispatch
- About a Week
- Category
- Painting
Work Details
“Perspective 182: Bridge to Tomorrow” Yukryosha Florence Prize Exhibition 2010
Nature is irreplaceable for us to walk into the future
It felt like an ephemeral bridge with narrow waves.
However, even in difficult times,
hope that can be found,
the courage to stand up,
I want to express the positive energy of trying to live.
Other listings, mainly on unmatted subterranean grounds like this.
“Perspective 162” F130 Fugaku Biennale 2008.
“Perspective 179” Sakaide Art Grand Prix 2010.
“Perspectives 181: A Bridge to Tomorrow 2010” approx. 200 Kyoto exhibition 2010.
View in a Room
How to Buy
This artwork is available for purchase.
ASK
Note: Prices are displayed as reference prices converted at the exchange rate. Payments are made in Japanese yen.
Need help with purchasing?
Join the waiting list
Join the waiting list to be notified when artworks become available for purchase.
Start Chat
Our art concierge is here to help. Please feel free to chat with us about artwork recommendations or issues with purchasing.
Artist
painters
He became truant from the 3rd grade of junior high school and retreated to his home for 3 years. That experience drastically changed my relationship with painting and gave me an opportunity to nurture the “core” of production.
After entering university, he drew many pictures of the mountain “Ichijouzan,” which was carved into a symbolic shape by illegal residential land development, as a “wound on the earth.”
While drawing works containing criticism of modern society, I was fascinated by idyllic landscapes and decaying buildings, and also painted in oil and tempera.
From the age of 30, he began drawing “Imaginary Scenery Living in This Era,” and later developed as the “Perspectives” series. This shows the desperate footprints of living positively in the face of criticism of society, difficulties, and anxiety. “Perspective” has been a series of works, and currently exceeds about 280 works.
