Vineyard October
Year: 2025
Material/Technique: Plaster, Gold Leaf, Tempera, Acrylic, Others
Size: 39.5 × 46 × 2 cm
Edition: Unique
Signed:Included
About the Work
- Year
- 2025
- Material/Technique
- Plaster, Gold Leaf, Tempera, Acrylic, Others
- Size
- 39.5 × 46 × 2 cm
- Edition
- Unique
- Signed
- Included
- Credits
- Courtesy of 四季彩舎 SHIKISAISHA GALLERY
- Frame
- Not Included
- Work Certificate
- Included
- Category
- Painting
Work Details
Board, gypsum, gold leaf, tempera, acrylic
It's a method called graphology where countless scratches are applied.
Depending on the viewing angle, the direction in which the light is directed can be seen differently, making it beautiful.
It is decorated like a forehead
When foil is used as a background, an expressive painting space is created there.
Clean light in the morning, dry light in summer, and even the faint flow of wind.
How good would it be if such a momentary scene of nature could be fixed on a screen?
I am creating it with that in mind.
This time, I wanted to express time piling up with the rich expression of gold leaf.
Exhibition Information
- Past Exhibitions
- Nozomi Saito Solo Exhibition “Golden Flora”04.19.2025 - 04.26
View in a Room
Artist
Artist
Nozomi Saito’s works skillfully utilize tempera and acrylic paints over gold leaf, vividly depicting realistic plants that seem to come to life. The plants are imbued with new vitality, glowing within the radiance of the gold leaf.
The plaster and gold leaf applied to the wooden panels may initially create a strong impression. However, the meticulously rendered plants soften the overall image, and the rounded forms gently envelop the composition.